"The principles of my works... are the extinction of expression, permanent covering and contemplative tranquillity... My ideal is the completely dark picture, full of some overwhelming silence."
About Arnulf Rainer
Arnulf Rainer — Life and Legacy
Arnulf Rainer is a prominent Austrian artist celebrated for his unique contributions to contemporary art, particularly in the realm of expressionism. His work often delves into themes of identity, emotion, and the human experience, challenging traditional notions of representation. Rainer's distinctive style is characterized by his use of obscured faces and layered techniques, which invite viewers to engage with the complexities of self-perception. Rainer's philosophy is encapsulated in his assertion that 'the canvas is a battlefield,' highlighting his belief that art is an arena for conflict and resolution. This perspective reflects his commitment to exploring the tensions inherent in human identity, as he navigates the interplay between chaos and order in his creations. His works often provoke thought about the nature of existence and the masks we wear in society. The relevance of Rainer's quotes and ideas persists today, as they resonate with ongoing discussions around identity and self-expression. His art encourages introspection and challenges audiences to confront their own complexities, making his contributions to the art world both significant and enduring.
Quote collection
Arnulf Rainer quotes
9 quotes — follow a thought to its full quote page.
"Only the four corners of the background remained. It was terribly difficult to fix my eyes on all of them at the same time. My experience was that the most difficult thing of all in art is painting in all four corners at the same time."
"I could only relax when there was just one tiny white last spot left. I could see more clearly. I could grasp the shape of the picture again... The pictures are alive because of the white remnant, the almost concealment."
"Sometimes I had to force the overpainting of three corners almost without any feeling for shape, almost without inspiration, only to find my way back, to get out of this hell."
"Only an 'almost,' a 'nearly,' is possible."
"the 'total overpaintings' developed... through incessant reworking. The original motif peeped through the edges. Gradually it vanished completely."
"I have settled down in this border area; I am trying to find distinct standards of shape, and I long to experience, formulate, and evoke this dark, heavy, tranquillity."
"In 1968 I frequently would sit in a photo booth and practice self mirror images which I then documented photographically. Curious types would always open the curtains and chase me away. Today I work with a photographer."
"... I felt like a new man; but I was disappointed with the photographic documentation because I still saw always the old self."