"Surely the vogue of those twisted and contorted human figures must be as short as it is artificial."
About Harriet Monroe
Harriet Monroe — Life and Legacy
Harriet Monroe was a significant figure in American literature, primarily recognized for founding Poetry magazine in 1912. Her commitment to modernist poetry and her belief in the transformative power of words positioned her as a key advocate for new literary voices. Monroe's work emphasized the importance of freedom in artistic expression, famously stating that 'Poetry is the most perfect form of art.' This perspective reveals her understanding of poetry as a medium that transcends traditional boundaries, allowing for deeper emotional exploration. Monroe's influence extended beyond her own writing; she played a crucial role in promoting the works of emerging poets, thereby shaping the modernist movement in America. Her advocacy for the 'freedom of the poet' underscores her belief that true artistry requires liberation from societal norms. This idea resonates in her own poetry, which often grapples with themes of identity and self-expression. Today, Harriet Monroe's quotes and ideas continue to inspire poets and writers, reminding them of the essential role of freedom and innovation in the creative process. Her legacy lives on through the voices she championed and the literary landscape she helped to transform.
Quote collection
Harriet Monroe quotes
5 quotes — follow a thought to its full quote page.
"Our little solos are a note in an immense chorus vibrating grandly through the universe, a chorus which accepts and harmonizes the whir of the cricket and the long drum-roll of the stars."
""Look into thy heart and write!" is good advice, but not if interpreted to mean, "Look nowhere else!" The poet should know his world and, so far as his art is concerned, any kind of battering from his world is better than his own self-indulgent brooding."
"The people must grant a hearing to the best poets they have else they will never have better."
"Great ages of art come only when a widespread creative impulse meets an equally widespread impulse of sympathy . . ."