"Brian Eno taught us how to use the Recording Studio as an instrument."
About Jerry Harrison
Jerry Harrison is a pivotal figure in the music industry, best known for his work as the guitarist and keyboardist of the influential band Talking Heads. His contributions to the band, particularly in their groundbreaking album 'Remain in Light', showcase his unique ability to blend diverse musical styles and innovative production techniques. Harrison's philosophy centers around the idea that creativity is essential for survival in the arts. He once stated, 'Creativity is the key to survival,' which reflects his belief that artists must continually adapt and innovate to remain relevant. Harrison's approach to music emphasizes the importance of collaboration and experimentation. He argues that 'Art is about making choices,' illustrating how each decision in the creative process shapes the final work. This perspective is evident in his production work, where he often encourages artists to explore new sounds and push their creative boundaries. His time with Talking Heads not only influenced his own artistic vision but also left a lasting impact on the music landscape, inspiring countless musicians to embrace innovation. Today, Jerry Harrison's insights into creativity and collaboration resonate deeply within the music community, reminding artists of the transformative power of innovation. His quotes continue to inspire those navigating the complexities of artistic expression, reinforcing the idea that embracing change is vital for artistic growth.
Quote collection
18 quotes — follow a thought to its full quote page.
"Brian Eno taught us how to use the Recording Studio as an instrument."
"I've become increasingly confidant in following intuitions ahead of thoughts as I produce more records."
"I think being eclectic is bad when you're just starting out."
"I think that technology has both introduced new sounds but also allowed an increasingly painterly approach to recording music as you can now paint over what you've done and more and more refine an existing performance."
"Some artists want a producer to be a kind of svengali - someone who actually creates a sound for them."
"I think we could have done a lot more great music, so I was disappointed that we didn't continue making records and touring, but it's hard to argue with 10 good years."
"Normally when I work with bands I'm trying to refine and improve what's already there."
"I see myself as the buffer between the band and the record company."
"I think my voice worked out fine, but it was a lot of work for me. And I was very self-conscious about it. I was a bit self-conscious about writing lyrics too."
"The vocals are what immediately draw people in and sell the song."
"My other advice is to start writing songs and singing right away."
"But when you're beginning, you should try to focus on something you love and your own way of doing things."
"I had previously been in the band the Modern Lovers with Jonathan Richman."
"What's nice about being a producer is you get to roll the dice more often, and you get to be involved with lots of different kinds of music."
"It's really exciting working with a new band when you feel like you hit something that's great, and you helped them bring something out."
"Music has become a bigger business, and with that there is more pressure to succeed; I think that it creates a negative pressure for being creative."
"For a young band about to make a record, make sure you get the vocals right."
"Most bands have a sound that they're already identified with, so for the producer it becomes a process of helping them find their muse in the studio to make a record that will not only satisfy them artistically, but will also do something in the marketplace."