"I wanted to pack a lot into the lyric, but not go beyond its bounds. Some have written that I wanted to expand what the lyric could do. I just want the hugeness of experience-which includes philosophical discursiveness-to move at a rate of speed that kept it (because all within one unity of experience) emotional. Also, often, questions became the way the poems propelled themselves forward It brings the reader in as a listener to a confession[.] A poem is a private story, after all, no matter how apparently public. The reader is always overhearing a confession."

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Jorie Graham

Poet

Jorie Graham is an acclaimed American poet known for her exploration of language and nature, particularly in her Pulitzer Prize-winning collection, 'The Dream of the Unified Field.'

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"What poetry can, must, and will always do for us: it complicates us, it doesn’t ‘soothe.’"

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"I think I am probably in love with silence, that other world. And that I write, in some way, to negotiate seriously with it . Because there is, of course, always the desire, the hope, that they are not two separate worlds, sound and silence, but that they become each other, that only our hearing fails."

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"If there is anything I love most, in the poems I love, it is the audible braiding of that bravery, that essential empty-handedness, and that willingness to be taken by surprise, all in one voice."

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"The primary function of the creative use of language - in our age - is to try to constantly restore words to their meanings, to keep the living tissue of responsibility alive."

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