"There actually had been a tradition within English music of the '60s of people looking eastwards, maybe in quite a naïve way, but nonetheless, you had musicians like George Harrison or Bryan Jones recording the musicians of Joujouka in North Africa."
"Going to Morocco was massive; that's where I really found music which had the African syncopation and swing mixed with Arabic strains, and together they had this transporting, bittersweet quality."
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"When I was growing up, my idea of Led Zeppelin was all epic lasers, castles, and ten-minute drum solos - that sort of thing."
"I think it's quite jarring and exciting when you see someone in the thrall of being completely transported by the music they're sharing with you."
"I do understand the perspective of die-hard fans who complain that we don't play the same as the record, but at the same time I think fans are getting an amazing deal."
"I have much clearer memories of my time in Egypt: songs on the radio, the rhythms that accompanied belly dancers, the sound of the adhan - the Muslim call to prayer. I just soaked it all up."
"In a lot of African instruments, you find a rattle, and sound engineers have a hard time making sense of it."