"The self-righteousness and other ego-puffery that makes missionaries and evangelists out of Christians is in truth a measure of how far they are from even the one thing they think is most certainly true, i.e. the confidence that they are truly Christians."
"Misfortune occurs or can occur to anyone, of any sort of character. The eudaimonic has more resources to avoid it (being in autonomous control of his appetites and assumptions) and more resources to deal with it if it occurs (being better able to put it in perspective and maintain his own evenness of self-mastery). Tragedy as a dramatic form is meant to foster the ethos of sophrosyne or moderation, "nothing to excess"; it nurtures a sense of distance from the dominant illusions and delusions that may infect even aristoi."
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More quotes by Kenny Smith
"Nietzsche is absolutely correct, even more correct today than when he wrote it in Thus Spake Zarathustra: I looked all about me for human beings but all I saw were fragments, deformed creatures with too much eye or too much ear. This is what the modern culture of specialized intellect-the kind of one-sidedness that banausic utilitarianism alone can value-works so hard to produce."
"The music of all the different media of life-memories, images, feeling-tones, poetic-musical connotations of phrasing-is kaleidoscopic and doesn't repeat itself or recur. -People who think they are trapped in a river of regularized and ever-repeating time are merely the victims of their own ordinarizing minds that have elaborated for them a prison-cell of everydayness. The fountains of time, history, life, inspiration, etc. are fresh every instant, if one knows how to grasp them with some finesse: every instant within natural, historical, and personal time is unique."
"The anorexic is the fuse nakedly exposed to the direct power of modern media, a psyche whose wiring has no insulation. The anorexic is an analog to the ideologue, who is likewise devoid of common sense, independent ego, culture, intuitive intelligence, etc.: all the ideologue has to orient himself by is the formalist or abstractivist directives inlaid in modern mass-culture. Both are forms of the True Believer, minds in whom factors of self-active life are reduced to negligibility and pathos reigns."
"Hegel understood the Heisenbergian reality of knowing: yes, it would be nice if we could somehow delicately capture the truth and bring it closer to ourselves without altering it, "like a bird caught with a limestick." But the reality is, every truth we manage to know is altered, deformed by our very "encheiresis naturae," by the act of our taking-in-hand of nature (to borrow the alchemists' phrase from Goethe's Faust)."
""Playing" the resources of characterology for the sake of clarification and insight into the structures of actual existence is many times more daunting than playing a piano; it requires the thinking of chords of thoughts, not just isolated simplisms or abstracta; it demands the shaping or encompassing of morphological modes of intelligence that can comprehend gestalten, syndromes, historical and civilizational patterns in which it is not the particulars but their interactive significance (as an ensemble of actualities or principles) that is vital."