"People who read poetry have heard about the burning bush, but when you write poetry, you sit inside the burning bush."
"That's what I want, that kind of recklessness where the poem is even ahead of you. It's like riding a horse that's a little too wild for you, so there's this tension between what you can do and what the horse decides it's going to do."
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Source: Li-Young Lee, Earl G. Ingersoll (2006). “Breaking the Alabaster Jar: Conversations with Li-Young Lee”, p.128, BOA Editions, Ltd.
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"Brimming. That's what it is, I want to get to a place where my sentences enact brimming."
"Memory is sweet. Even when it’s painful, memory is sweet."
"Every time you write a poem it’s apocalyptic. You’re revealing who you really are to yourself."
"To pull the metal splinter from my palm my father recited a story in a low voice. I watched his lovely face and not the blade. Before the story ended, he'd removed the iron sliver I thought I'd die from. I can't remember the tale, but hear his voice still, a well of dark water, a prayer. And I recall his hands, two measures of tenderness he laid against my face."
"While all bodies share the same fate, all voices do not."