"You don't realize how language actually interferes with communication until you don't have it, how it gets in the way like an overdominant sense. You have to pay much more attention to everything else when you can't understand the words. Once comprehension comes, so much else falls away. You then rely on their words, and words aren't always the most reliable thing."
About Lily King
Lily King — Life and Legacy
Lily King is a prominent American novelist celebrated for her nuanced portrayals of love and human connection. Her work, especially the acclaimed novel 'Euphoria', delves into the complexities of relationships, drawing inspiration from her own experiences and observations. King's writing often reflects a deep understanding of the emotional landscapes that define our interactions with others. In 'Euphoria', King explores the tumultuous dynamics of love and ambition through the lives of anthropologists in the 1930s. One of her notable quotes, 'We are all just stories in the end', encapsulates her belief in the power of narrative to shape our identities and relationships. This perspective highlights how our connections with others are often intertwined with the stories we tell about ourselves and each other. King's exploration of love is not merely romantic; it encompasses the myriad ways individuals relate to one another, revealing both the beauty and the pain inherent in these connections. Her insights resonate with readers, as they reflect the universal struggles and triumphs of human relationships, making her work relevant in today's literary landscape.
Quote collection
Lily King quotes (page 1 of 2)
36 quotes — follow a thought to its full quote page.
"Anthropological fieldwork is so much like writing a novel. You don't know what the hell is going on."
"It also signals to me, when I pick up a pencil, that this is a rough draft. This is not going anywhere, and no one's going to see it. You have permission to make all the mistakes you want. It signals freedom to me, and it signals mistakes."
"I think of companies like Nokia having anthropologists who study how people use cell phones, who do that kind of commercial and marketing work, selling out to corporations. I wonder if that has something to do with the image of the more innocent anthropologist, now gone."
"You write the facts as you see them, and there isn't a lull with a lot of description. No wonder people like to write about murder mysteries and dead bodies!"
"I definitely feel that my brain works differently, and words come out differently, if I have a pencil in my hand, rather than if I have a keyboard."
"I tend to elongate the sentences as I'm writing and editing, and there is just something about the feeling of writing longhand that I really love."
"I love reading fiction about people who are connecting intellectually. I find that exhilarating."
"I'm always interested in a claustrophobic situation where people might be powerless to do things."
"I had lived in France before graduate school, but because of Spain, I had a lot of the characters go and spend a good bit of time in Spain."
"Usually, the creating of the book happens while I'm writing the book. I start with Chapter One, with a few ideas and a handful of characters, and the book grows from there."
"I had one family that used a lot of yelling and screaming, and that was very normal. Another side of my family, nobody would raise their voice at all."
"I didn't major in anthropology in college, but I do feel I had an education in different cultures very early on. My parents divorced when I was eleven, and my father immediately married a woman with three children and was with her for five years. When they got divorced, he immediately married a woman with four children. In the meantime, my mother married a man who had seven children. So I was going from one family to another between the ages of eleven and eighteen."
"When you have people who get angry quickly, you have to learn the rules to avoid being in that situation."
"I don't like stories where I'm being given pages and pages of detail."
"Every fictional thing I wrote gave me strength to write another and another. By the end I wasn't remaining true to anything but the story I wanted to tell."
"To go back to my childhood, I experienced lots of different family cultures, all the while feeling like none of them were mine."
"I love this idea of trying to create that intellectual eroticism. That was what I was working toward all along."
"There are very few things I would love to do other than a life of writing, and I think being a singer-songwriter and being an anthropologist are the two other things I can imagine doing."
"I'm very interested in the way people interact emotionally."