"The painter makes real to others his innermost feelings about all that he cares for. A secret becomes known to everyone who views the picture through the intensity with which it is felt."
"I don't want any colour to be noticeable... I don't want it to operate in the modernist sense as colour, something independent... Full, saturated colours have an emotional significance I want to avoid."
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Source: Lucian Freud, Richard Calvocoressi, Scottish National Gallery of Modern Art (1997). “Lucian Freud: early works : Scottish National Gallery of Modern Art”
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"Painting is sometimes like those recipes where you do all manner of elaborate things to a duck, and then end up putting it on one side and only using the skin."
"The longer you look at an object, the more abstract it becomes, and, ironically, the more real."
"What do I ask of a painting? I ask it to astonish, disturb, seduce, convince."
"The aura given out by a person or object is as much a part of them as their flesh. The effect that they make in space is as bound up with them as might be their colour or smell ... Therefore the painter must be as concerned with the air surrounding his subject as with the subject itself. It is through observation and perception of atmosphere that he can register the feeling that he wishes his painting to give out."
"Everything is autobiographical and everything is a portrait."