"The man hunched over his motorcycle can focus only on the present... he is caught in a fragment of time cut off from both the past and the future... he has no fear, because the source of fear is in the future, and a person freed of the future has nothing to fear."
"...in our time art is encrusted with a noisy, opaque, logorrhea of theory that prevents a work from coming into direct, media free, non-interpreted contact with its viewer (its reader, its listener)"
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Source: Writers at Work: The Paris Review Interviews, Series Seven. Book editing by George Plimpton, Interview with Christian Salmon (Fall 1983), 1988.
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