"You can't break my heart. It's made of water."
About Naomi Wallace
Naomi Wallace — Life and Legacy
Naomi Wallace is a distinguished playwright whose work delves into the complexities of truth and human experience. Her notable play, 'The Trestle at Pope Lick Creek', explores themes of family, identity, and the impact of socio-economic conditions on personal narratives. Wallace's writing is characterized by its psychological depth and emotional resonance, often reflecting the struggles of marginalized communities. One of her key ideas is encapsulated in her quote, 'truth is a slippery thing', which emphasizes the subjective nature of truth and how it can be shaped by individual experiences. This perspective invites audiences to question their own understanding of reality and the narratives they accept. Wallace's exploration of family dynamics further illustrates her belief that personal histories are intertwined with broader societal issues, challenging audiences to confront uncomfortable truths. The relevance of Wallace's quotes and ideas persists in contemporary discussions about identity and social justice. Her work not only resonates with those who have faced adversity but also encourages a deeper examination of the narratives that shape our lives. Through her poignant storytelling, Naomi Wallace continues to provoke thought and inspire dialogue around the complexities of human existence.
Quote collection
Naomi Wallace quotes
4 quotes — follow a thought to its full quote page.
"I'd been reading Daniel Defoe's Journal of the Plague Year when the [1992 Los Angeles] riots broke out and I began to see them both - L.A. and the London plague - as the same event. A time of crisis. A time when rich and poor get thrown together - and, suddenly one sees alternatives. I began to think about what happens when the containment of a presumed danger through the regimentation of space breaks down, such as when South-Central L.A. began to invade Beverly Hills."
"I'm interested in the way that the language of labor has been suppressed in our culture, the way it has disappeared from our vocabulary and is never heard on stage. . . . I'm better at writing than I am at organizing [political action]. SLAUGHTER CITY is my small contribution. If it gives people a voice it is worth something. So often we forget what we are no longer hearing."
"If you're in despair, you don't know how to be part of your own life anymore."