"I've also worked hard portraying an Ireland which is fast disappearing. Ireland was a very depressed and difficult place in the 1980s, and I've tried to include that in the script. I worked really hard to find the heart of the book."
"My conception of it was that in a normal film you have a story with different movements that program, develop, go a little bit off the trunk, come back, and end."
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Source: Horns and Halos. Interview with Michael Koresky, reverseshot.org. November 10, 2005.
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