"I'm not attached to a certain scene. There was certain music - and techno was a part of it - that really formulated something for me, that really was a direct connection to what I experienced in my life. Going to parties and listening to techno at home helped form my musical identity. And that changed throughout my life."
About Pantha du Prince
Pantha du Prince — Life and Legacy
Pantha du Prince, born Hendrik Weber, is a prominent figure in the electronic music scene, celebrated for his unique approach that intertwines technology and nature. His work, particularly the album 'Black Noise', showcases a distinctive blend of minimal techno with organic sounds, reflecting his belief in music as a medium that can evoke the essence of the natural world. His philosophy is encapsulated in his idea that music serves as a 'universal language', allowing listeners to connect deeply with their emotions and surroundings. This perspective is evident in tracks that utilize field recordings and acoustic instruments, challenging the conventional boundaries of electronic music. For instance, his quote about the 'sound of nature' highlights his commitment to creating immersive auditory experiences that resonate with the listener's environment. Pantha du Prince's innovative soundscapes continue to influence contemporary music, as he invites audiences to reconsider the relationship between technology and nature. His work not only entertains but also encourages a deeper reflection on the world around us, making his contributions significant in the evolving landscape of electronic music.
Quote collection
Pantha du Prince quotes
7 quotes — follow a thought to its full quote page.
"If you work with so many classical instruments... I mean, it still has this power, and it's still connected to the idea of techno. But it has its own quality, its own sound. It's in between, even more than the record before. You need to give every instrument, sound, and element the space it needs."
"I like the process of giving control away [at the recording]. When you give it up to people, it's another intelligent organism that digests your information completely differently from how a machine digests information. It's like you're on a sailboat, and every time you can find out how to better adjust [the sail] to make it more precise. And it's interesting to see that the musicians have their own ideas. To use their intuitive power with their knowledge that they incorporate into the music. This is the moment you give away control, you give it to someone else's intuition."
"The idea of the record is that it's a statement for working with a group, of a collaborative work. That should be visible in the music."
"We've played two shows with seated audiences, and two with a standing audience. Both were cool. Sitting is more mental, in a way, [but] after a while they really want to get up and move. It's very euphoric, I think, because people see what's actually going on. The energy takes over."
"It's really a lot of fun to see that this music can actually survive, that it can be concert music. My solo shows are already going along that path. You have the freedom to basically push to party, or you can tell a story from nothing with soundscapes, moving images, to a real party mood. At some concerts, people get out of their seats and start dancing after a while."
"If you listen to certain things then you can hear music everywhere. But it's your perspective on 'what do I listen to, why do I listen, what's going on.' And then you have music."