"When you're wearing jeans, there's a shift in your center of gravity."
About Ray Stevenson
Ray Stevenson — Life and Legacy
Ray Stevenson was a distinguished actor whose work spanned film and television, gaining acclaim for his roles in productions such as 'Rome' and 'Punisher: War Zone.' His performances often delve into the complexities of courage and identity, reflecting a deep understanding of the human experience. Stevenson once remarked that true courage is about facing fears head-on, a sentiment that resonates through his characters who often navigate tumultuous journeys of self-discovery. His ability to portray multifaceted characters showcases his belief that identity is not static but rather a fluid concept shaped by experiences and challenges. This perspective is evident in his roles, where he often embodies individuals grappling with their sense of self in the face of adversity. Stevenson’s exploration of these themes not only captivates audiences but also invites them to reflect on their own journeys. Today, his quotes and performances continue to inspire, reminding us of the strength found in vulnerability and the importance of authenticity in both life and art.
Quote collection
Ray Stevenson quotes (page 1 of 2)
39 quotes — follow a thought to its full quote page.
"I don't think you see a pirate with a parrot on his shoulder, for example. And even with the accents."
"If the project piques my interest and scares me a little bit, then it's got me hooked."
"The way Shakespeare wrote Fallstaff is with a heightened language and everything."
"I consider it an actor going to work with other actors. It's not a competitive sport, it's not to outact anybody else, sorta thing, you can be a bad actor but you don't outact anybody, you just bring your character as best as you can."
"The best piece of advice Ive ever been given was, Be in the business youre in. Dont just be a satellite around it and expect it to come to you. Be in the business youre in."
"I love the chameleon nature of this business [acting]. I always have. Sometimes I'm not as recognizable as somebody else and I may not have gotten a role, but for me, acting is not a competition. I've just kept my head down and kept working, and had the great pleasure of working with some amazing people and playing some extraordinary and extreme characters."
"Hence the genius of having Ken steer this ship as well. You have to invest these characters with a Shakespearian quality and not in a way that might disengage the audience but in a way that actually lets you play to an audience."
"The way Shakespeare wrote Fallstaff is with a heightened language and everything. That's the genuis of having Ken Branagh here as well. Shakespeare doesn't require you to have a doctorate in his language or whatever to understand him. It just has to be directed and played right. It's all about scale and presence and getting these huge, epic stories across."
"When you're wearing jeans there's a shift in your center of gravity. A costume like this and a character like this, there's no way to hide. If you try and play him any way sort of modern or normal, you diminish. He's larger than life. He's 150 percent. You've got to go for it all the time. It was just impossible."
"I'm Volstag and what you see is what you get. He's a bon vivant lover of life epicurean goodfellow. He's a god, which helps. He's full of life. He reminds me very much of Falstaff. There's a wonderful innocence to him and the steadfast loyalty of a big Saint Bernard dog."
"I like bringing little subtle complexities to a character. It's all about the subtext. No one can really describe or fully know another human being, even if they get a hook on them. It's more about instinctively knowing whether you like somebody or not."
"As an actor, I relish and delight in doing things that I'm not necessarily the demographic for. This is a demographic that is touching the psyche of a certain age group, facing the real internal questions of people who are going through rites of passage into adulthood. It's earth-shaking stuff."
"The weird thing is, in America, people were saying, "You're not going to get recognized because all you're going to see is basically your forehead and eyes.""
"For me, because I've had classical theater training, when people say, "Oh, my god, the play is amazing!," I'll never get to see it because I'm in it."
"There's not a lot of direct back story but you do get to see them playing around each other a lot."
"It's all about the integrity of their characters. They [Marvel] care so much about the loyalty and integrity of each and every character and all of their stories. They trust and love their readership. They're the ones who have invested in these stories."
"They're {Marvel] the ones who have went out and bought the comic book whenever it came out. They're the real investors. They serve them. Having a chance to be part of that Marvel Universe is just - well, it is what it is. It's just fantastic."
"History is written by victors and, occasionally, sensationalist journalists. I mean that with the best respect."
"The pamphlets going back to London telling of the violent derring-dos of the Bahamian pirates were the ones that brought infamy to the names of Charles Vane and Blackbeard. How much of that is really documented history? It carries a flavor with it, but take all this with a pinch of salt."