"It's the texture of New York that people miss by filming elsewhere. There are layers and layers of character - even in the pavement - that you can't get anywhere else. And the speed that the people move. It's so different from other places."
"I had been hearing on-the-ground buzz that white folks were moving to places like Bend, Oregon, and Coeur d'Alene, Idaho, and St. George, Utah. That led me to discover through census data that these towns were already extremely white and they were becoming, in most cases, even whiter. Statistics could only tell me so much; in order to get to the spirit and essence of it, I had to immerse myself."
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"I was surprised by how forces in the community could mobilize against a community changing. There were many examples of this. In St. George, members of the Latino community proposed having a "Dixie Fiesta." The resistance to that surprised me."
"When well-qualified, upper middle-class blacks or Latinos or Asians move to predominantly white neighborhoods, there's what's called the tipping point. That tipping point is generally 15 percent; at 15 percent you begin to see white flight."
"The interesting thing about Georgia is, Atlanta is teeming with middle-class black people and black people with money - and yet there is still segregation."
"I don't want to live in a monoculture of any kind. I don't want to live in a wealthy monoculture, a black monoculture. I don't want to live in an elitist, progressive monoculture."
"Problem with segregation isn't that people can't live in peaceful harmony singing "Kumbaya" - although that wouldn't be bad. The problem is that many of these Whitopian communities are taking state, local, and federal resources with them."