"The greater the artist, the greater the doubt; perfect confidence is granted to the less talented as a consolation prize."
"Essentially, perspective is a form of abstraction. It simplifies the relationship between eye, brain and object. It is an ideal view, imagined as being seen by a one-eyed, motionless person who is clearly detached from what he sees. It makes a God of the spectator, who becomes the person on whom the whole world converges, the Unmoved Onlooker."
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Source: Robert Hughes (2015). “The Spectacle of Skill: New and Selected Writings of Robert Hughes”, p.25, Vintage
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"Landscape is to American painting what sex and psychoanalysis are to the American novel."
"A determined soul will do more with a rusty monkey wrench than a loafer will accomplish with all the tools in a machine shop."
"Perhaps the rhinos and she-crocodiles whose gyrations between Mortimer's and East Hampton gives us our vision of social eminence today are content to entrust their faces to Andy Warhol's mingily cosmetic Polaroidising, but one would bet they would rather go to Sargent."
"The basic project of art is always to make the world whole and comprehensible, to restore it to us in all its glory and its occasional nastiness, not through argument but through feeling, and then to close the gap between you and everything that is not you, and in this way pass from feeling to meaning. It's not something that committees can do. It's not a task achieved by groups or by movements. It's done by individuals, each person mediating in some way between a sense of history and an experience of the world."
"The greater the artist, the greater the doubt."