"Writing a poem is unwriting a knot, like untying a shoelace that is clubbing your foot."
"Even my novels offer passages in which the major character is imagined as a writer. In Joss and Gold, Li An is a business writer who edits her company's weekly public relations magazine. And in Sister Swing, Suyin writes human interest stories for a free, local community paper, The Asian Time."
3 likes
About the author
Same author
More quotes by Shirley Geok-lin Lim
"New formalism is writing with language as flow, like the flow from a dam, running through a desert that has had no rain for decades."
"As a first-generation "Asian American woman," for one thing, I knew there was no such thing as an "Asian American woman." Within this homogenizing labeling of an exotica, I knew there were entire racial/national/cultural/sexual-preferenced groups, many of whom find each other as alien as mainstream America apparently finds me."
"Poetry must speak of others, in order to speak for the poet's imagination, in order to speak of itself; it is slowed down by poetics after its flight is over."
"As I grew older - and even when I was younger - it had puzzled me why I continued and continue to be heterosexual."
"I don't like crows. In the poem "C," crows are predatory, killing other birds and so forth. But in my morning walks, there were always crows, particularly at certain times of the year. And they're very aggressive, very visible and loud. They're not at all likable, but they have to be dealt with. They are part of the picture, the art in the morning. You cannot deny their reality."