"Writing a poem is unwriting a knot, like untying a shoelace that is clubbing your foot."
"Growing up in Asia in a particular time period - the '50s and '60s - I attended a Catholic missionary school where I was taught by nuns and where consciousness of the body was repressed. Yet at the same time, the female body was a highly visible and sensitive site."
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More quotes by Shirley Geok-lin Lim
"New formalism is writing with language as flow, like the flow from a dam, running through a desert that has had no rain for decades."
"As a first-generation "Asian American woman," for one thing, I knew there was no such thing as an "Asian American woman." Within this homogenizing labeling of an exotica, I knew there were entire racial/national/cultural/sexual-preferenced groups, many of whom find each other as alien as mainstream America apparently finds me."
"Poetry must speak of others, in order to speak for the poet's imagination, in order to speak of itself; it is slowed down by poetics after its flight is over."
"As I grew older - and even when I was younger - it had puzzled me why I continued and continue to be heterosexual."
"I don't like crows. In the poem "C," crows are predatory, killing other birds and so forth. But in my morning walks, there were always crows, particularly at certain times of the year. And they're very aggressive, very visible and loud. They're not at all likable, but they have to be dealt with. They are part of the picture, the art in the morning. You cannot deny their reality."