"Both film and fashion are businesses where the audience doesn't feel or see the work that goes on behind the scenes."
"For Fleur de Chine, I imagined the romantic and mysterious women from Asia's cinematic past-from the '30s femme fatale in a cheongsam and dark lipstick, to the'60s Hong Kong heroine of In the Mood for Love. I wanted to capture that fascinating, exquisite and slightly scandalous femininity."
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Source: Interview with Gus Van Sant, www.interviewmagazine.com. December 3, 2009.
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