"Today, although as a whole, the industry is still male-dominated, more women are drawing comics than ever before, and there are more venues for them to see their work in print. In the 1950s, when the comic industry hit an all-time low, there was no place for women to go. Today, because of graphic novels, there's no place for aspiring women cartoonists to go but forward."
"I always drew. I don't remember a time when I didn't draw. And I actually drew comics from the age of maybe ten through twelve."
Source: Interview with Kyrax2, comicsbulletin.com. May 7, 2012.
About the author
Trina Robbins
Comic Book Artist, Writer
Trina Robbins is a groundbreaking comic artist and writer known for her influential work in feminist comics and her advocacy for women's representation in the industry.
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"I entered high school she[ my mother] said, "Well, you're a teenager now, and comics are for kids, so you shouldn't read them anymore," and I went, "Oh, okay," and I gave away what, of course, would now be thousands of dollars worth of comics to the neighborhood kids."
"It's really sad that Wonder Woman is, she's really a slave. She belongs to DC. She's not a living person. And so she's at their mercy, and she's at the mercy of whoever writes her and whoever draws her."
"I went to art school, but I didn't last because in those days you couldn't take comics as a course. And they weren't even teaching you to draw real things, they were really into abstracts, and I was not into abstracts, so art school and I did not work out."
"I am proud of having drawn the first comic about a lesbian - and it didn't even occur to me that I was drawing a first. I just wanted to tell the story of my roommate."
"There's a difference between sexy and hyper-sexy. The way I have drawn Vampirella, she's definitely sexy, I designed the costume. But her costume, through the years, has gotten briefer and briefer. She has been hypersexualized, but not by me. I mean, I see drawings in which she's got the 'brokeback pose'. I would never do that."