"Whether he is an artist or not, the photographer is a joyous sensualist, for the simple reason that the eye traffics in feelings, not in thoughts."
Walker Evans
Photographer
Walker Evans was an influential American photographer known for his documentary style, particularly in 'Let Us Now Praise Famous Men,' capturing the essence of American life.
- Born
- January 1, 1903
- Died
- January 1, 1975
- Quotes
- 41
- Rank
- #5458
About Walker Evans
Walker Evans — Life and Legacy
Walker Evans was a pivotal figure in American photography, renowned for his ability to capture the complexities of human experience through the lens of a camera. His most notable work, 'Let Us Now Praise Famous Men,' co-created with writer James Agee, presents a stark portrayal of the lives of impoverished sharecroppers during the Great Depression. This project not only showcased Evans' technical skill but also his deep empathy for his subjects, emphasizing the dignity found in their struggles. Evans' philosophy centered around the idea that photography could reveal truths about society that often went unnoticed. He famously stated, 'The camera is a tool for learning how to see,' which reflects his belief that photography enhances our awareness of the world around us. His images often challenge viewers to confront the realities of American life, moving beyond mere aesthetics to evoke a sense of connection with the subjects. Today, Evans' work remains relevant as it continues to inspire discussions about social justice and the representation of marginalized communities. His ability to blend artistry with documentary storytelling has left a lasting impact on both photography and visual culture, encouraging future generations to see the extraordinary in the ordinary.
Quote collection
Walker Evans quotes (page 1 of 3)
41 quotes — follow a thought to its full quote page.
"Stare, pry, listen, eavesdrop. Die knowing something. You are not here long."
"In order to put meaning back into our lives, we should recognize illusions for what they are, and we should reach out and touch the fabric of reality."
"The secret of photography is, the camera takes on the character and personality of the handler."
"With the camera, it's all or nothing. You either get what you're after at once, or what you do has to be worthless. I don't think the essence of photography has the hand in it so much. The essence is done very quietly with a flash of the mind, and with a machine. I think too that photography is editing, editing after the taking. After knowing what to take, you have to do the editing."
"Incidentally, part of a photographer’s gift should be with people. You can do some wonderful work if you know how to make people understand what you’re doing and feel all right about it, and you can do terrible work if you put them on the defense, which they all are at the beginning. You’ve got to take them off their defensive attitude and make them participate."
"Documentary: That’s a sophisticated and misleading word. And not really clear… The term should be documentary style… You see, a document has use, whereas art is really useless."
"The meaning of quality in photography's best pictures lies written in the language of vision. That language is learned by chance, not system."
"The eye traffics in feelings, not in thoughts."
"That’s my idea of what a portrait ought to be, anonymous and documentary and a straightforward picture of mankind."
"Good photography is unpretentious."
"I wanted so much to write that I couldn't write a word."
"It's easy to photograph light reflecting from a surface, the truly hard part is capturing the light in the air."
"I work rather blindly. I have a theory that seems to work with me that some of the best things you ever do sort of come through you. You don't know where you get the impetus and response to what's before your eyes."
"Leaving aside the mysteries and the inequities of human talent, brains, taste, and reputations, the matter of art in photography may come down to this: it is the capture and projection of the delights of seeing; it is the defining of observation full and felt."
"What I believe is really good in the so-called documentary approach to photography is the addition of lyricism.[this quality] is usually produced unconsciously and even unintentionally and accidentally by the cameraman."
"It is the way to educate your eye and more. Stare, pry, listen, eavesdrop."
"Photography is not cute cats, nor nudes, motherhood or arrangements of manufactured products. Under no circumstances it is anything ever anywhere near a beach."
"The photographs are not illustrative. They, and the text, are coequal, mutually independent, and fully collaborative. By their fewness, and by the importance of the reader’s eye, this will be misunderstood by most of that minority which does not wholly ignore it. In the interests, however, of the history and future of photography, that risk seems irrelevant, and this flat statement necessary."
"I say half jokingly that photography is the most difficult of the arts. It does require a certain arrogance to see and to choose. I feel myself walking on a tightrope instead of on the ground."