"Privilege, if you're very strict, is an immoral and unjust thing to have, but if you've got it you didn't choose to get it and you might as well use it. You're privileged to be at Yale, but you know you're under an obligation to repay what's been put into you."

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Source: Thomas Southall, Walker Evans, James Agee, Friends of Photography, Amon Carter Museum of Western Art (1990). “Of time & place: Walker Evans and William Christenberry”, Friends of Photography Bookstore

About the author

Walker Evans

Photographer

Walker Evans was an influential American photographer known for his documentary style, particularly in 'Let Us Now Praise Famous Men,' capturing the essence of American life.

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"Whether he is an artist or not, the photographer is a joyous sensualist, for the simple reason that the eye traffics in feelings, not in thoughts."

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"In order to put meaning back into our lives, we should recognize illusions for what they are, and we should reach out and touch the fabric of reality."

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"With the camera, it's all or nothing. You either get what you're after at once, or what you do has to be worthless. I don't think the essence of photography has the hand in it so much. The essence is done very quietly with a flash of the mind, and with a machine. I think too that photography is editing, editing after the taking. After knowing what to take, you have to do the editing."

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"Documentary: That’s a sophisticated and misleading word. And not really clear… The term should be documentary style… You see, a document has use, whereas art is really useless."

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