Anais Nin

Writer, Diarist

Anais Nin was a French-Cuban-American diarist and writer known for her exploration of love, identity, and the human psyche in works like 'Delta of Venus'.

Born
February 21, 1903
Died
January 14, 1977
Quotes
520
Rank
#72

Quote collection

Anais Nin quotes (page 21 of 26)

520 quotes — follow a thought to its full quote page.

Anais Nin Writer, Diarist
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"When I don't write, I feel my world shrinking. I feel I am in a prison. I feel I lose my fire and my color. It should be a necessity, as the sea needs to heave, and I call it breathing."

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"It is my secrecy which makes you unhappy, my evasions, my silences. And so I have found a solution. Whenever you get desperate with my mysteries, my ambiguities, here is a set of Chinese puzzle boxes. You have always said that I was myself a Chinese puzzle box. When you are in the mood and I baffle your love of confidences, your love of openness, your love of sharing experiences, then open one of the boxes. And in it you will find a story, a story about me and my life. Do you like this idea? Do you think it will help us to live together?"

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"Three or four threads may be agitated, like telegraph wires, at the same time, and if I were to tap them all I would reveal such a mixture of innocence and duplicity, generosity and calculation, fear and courage, I cannot tell the whole truth simply because I would have to write four journals at once."

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"I have no fear of God, and yet fear keeps me awake at night,fear of the devil. And if I believe in the devil, I must believe in God. And if evil is abhorrent to me, I must be a saint. Henry, save me from beatification, from the horrors of static perfection. Precipitate me into the inferno."

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"I like extravagance. Letters which give the postman a stiff back to carry, books which overflow from their covers, sexuality which bursts the thermometers."

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"Talk—half-talk, phrases that had no need to be finished, abstractions, Chinese bells played on with cotton-tipped sticks, mock orange blossoms painted on porcelain. The muffled, close, half-talk of soft-fleshed women. The men she had embraced, and the women, all washing against the resonance of my memory. Sound within sound, scene within scene, woman within woman—like acid revealing an invisible script. One woman within another eternally, in a far-reaching procession, shattering my mind into fragments, into quarter tones which no orchestral baton can ever make whole again."

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"I wanted to remember in order to be able to return."

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"When I don't write, I feel my world shrink. I lose my fire, my color."

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"Sexual intercourse... a joyous, joyous, joyous, joyous impaling of woman on man's sensual mast."

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"One discovers that destiny can be diverted, that one does not have to remain in bondage to the first wax imprint made on childhood sensibilities. Once the deforming mirror has been smashed, there is a possibility of wholeness. There is a possibility of joy."

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"[On Paris:] A city never entirely known, yet which gives you the feeling of intimacy, of possessing it intimately."

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"The dream has to be translated into reality."

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"To write at the same temperature at which I live I should write nothing but poetry."

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"If you are terribly truthful, the ground will always move from under you, and you will have to shift with the constantly shifting truth."

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"The city was asleep on its right side and shaking with violent nightmares. Long puffs of snoring came out of the chimneys. Its feet were sticking out because the clouds did not cover it altogether. There was a hole in them and the white feathers were falling out. The city had untied all its bridges like so many buttons to feel at ease. Wherever there was a lamplight the city scratched itself until it went out."

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"But the artist persists because he has the will to create, and this is the magic power which can transform and transfigure and transpose and which will ultimately be transmitted to others."

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"Our age has need of violence," he writes. And he is violence."

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