Colson Whitehead

Author

Colson Whitehead is an acclaimed American author known for his innovative storytelling and exploration of race, identity, and history in works like 'The Underground Railroad.'

Born
November 6, 1969
Quotes
63
Rank
#689

About Colson Whitehead

Colson Whitehead — Life and Legacy

Colson Whitehead, a Pulitzer Prize-winning author, is renowned for his unique narrative style and deep exploration of complex themes such as race, identity, and resilience. His seminal work, 'The Underground Railroad,' reimagines the historical escape route for enslaved people as an actual railroad, blending realism with magical elements to highlight the harrowing journey toward freedom. Through his characters, Whitehead articulates the struggles of navigating a world shaped by the legacies of slavery and systemic racism. In his writing, Whitehead often reflects on the idea that 'The past is never dead. It's not even past,' which underscores his belief in the persistent influence of history on contemporary life. This perspective invites readers to confront uncomfortable truths about their own identities and societal structures. By weaving personal narratives with historical context, he challenges prevailing notions of race and belonging, encouraging a deeper understanding of the human experience. Whitehead's work remains relevant today as it resonates with ongoing discussions about race, identity, and the importance of acknowledging our collective past. His ability to blend historical fiction with profound emotional depth allows readers to engage with difficult themes in a compelling way, making his insights not only impactful but essential in today's cultural landscape.

Quote collection

Colson Whitehead quotes (page 1 of 4)

63 quotes — follow a thought to its full quote page.

Colson Whitehead Author
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"As time went on, we learned to arm ourselves in our different ways. Some of us with real guns, some of us with more ephemeral weapons, an idea or improbable plan or some sort of formulation about how best to move through the world. An idea that will let us be. Protect us and keep us safe. But a weapon nonetheless."

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"It is failure that guides evolution; perfection provides no incentive for improvement, and nothing is perfect."

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"You are a New Yorker when what was there before is more real and solid than what is here now."

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"Most people say, "Show, don't tell," but I stand by Show and Tell, because when writers put their work out into the world, they're like kids bringing their broken unicorns and chewed-up teddy bears into class in the sad hope that someone else will love them as much as they do."

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"Memory is the most malicious cutter of all, preserving, recasting, panning in slow motion across the awful bits so that we retain every detail."

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"Don’t go searching for a subject, let your subject find you. You can’t rush inspiration. … Once your subject finds you, it’s like falling in love. It will be your constant companion. Shadowing you, peeping in your windows, calling you at all hours to leave messages like, Only you understand me."

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"I can't blame modern technology for my predilection for distraction, not after all the hours I've spent watching lost balloons disappear into the clouds. I did it before the Internet, and I'll do it after the apocalypse, assuming we still have helium and weak-gripped children."

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"In terms of the economics, yes obviously the rise of e-books and how people choose to read books has a big effect on the economics of the game. But whether people are buying them on paper or downloading them there's still some poor wretch in a room who is trying to write a poem, write a story, write a novel. And so my job doesn't change. It's just how people receive it and economic conditions on the ground change, but that doesn't affect what I write."

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"Hipsters seek refuge in church, Our Lady of Perpetual Subculture. There is some discussion as to whether or not they are still cool but then they are calmed by the obscure location and the arrival of their kind. Keep the address to yourself, let the rabble fund it themselves. Wow, this crappy performance art is really making me feel no so terrible about my various emotional issues."

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"Being a slave meant never having the stability of knowing your family would be together as many years as God designed it to be. It meant you could come back from picking cotton in a field to find that your children are gone, your husband's gone, your mother's gone. It meant knowing you are property that could be sold to the highest bidder, of value only to continue to support the plantation economy."

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"Best to let the broken glass be broken glass, let it splinter into smaller pieces and dust and scatter. Let the cracks between things widen until they are no longer cracks but the new places for things. That was where they were now. The world wasn't ending: it had ended and now they were in the new place. They could not recognize it because they had never seen it before."

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"Colored, Negro, Afro-American, African American. ... Every couple of years someone came up with something that got us an inch closer to the truth. Bit by bit we crept along. As if that thing we believed to be approaching actually existed."

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"I want to keep growing as a writer. I find myself doing unexpected projects and sort of challenging my idea of where I am in my career, or what I'm supposed to be doing. In fact, I'm not supposed to be doing anything. Just finding projects that are challenging to me. I want to be a writer who keeps growing and figuring out new things and hopefully people will follow me along as I publish these things."

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"Sanctimony and self-regard are as American as smallpox blankets and supersize meals."

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"We never see other people anyway, only the monsters we make of them."

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"What isn't said is as important as what is said."

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"His legs remembered the correct position for squatting down with toys. He played. He fit the round male studs into the round female grooves. He got some thinking done as he hunkered down on his fallen-sleep legs."

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"In keeping with my family's affection for doomed product lines and hexed formats, we purchased a Betamax. The year before, we'd bought a TRS-80 instead of an Apple II, and in due course we'd unbox Mattel's Intellivision, instead of Atari's legendary gizmo. This was good training for a writer, for the sooner you accept the fact that you are a deluded idiot who is always out of step with reality the better off you will be."

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