"If the role is right and it's another situation of having a benevolent genius at the head of it, someone who likes actors, and will protect the actors from the ravages of reality-TV drama. It's a brutal world, and you need to have a strong creative team who can stand up to the network."
Drama quotes
Drama
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Drama quotes (page 18 of 119)
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"The excruciating moments of drama are when people are allowed to show or say what they feel."
"We had an ancient Russian acting coach at my drama school who said the worst offense you could commit was to let your subtext show. That is the point of acting, is to be saying one thing and not be allowed by society or your predicament to show what you're really feeling. In a way, I think that's why the therapy generation has killed script writing, because all you ever get is people going, "Hi, I'm feeling really angry right now.""
"That was a bizarre and unlikely event, which has misled a generation of drama students from my old drama school that dreams really do come true. I was an unemployed actor. I had been an actor for about eight years, and had worked in theater, and done a tiny bit of TV, and somehow an audition video of mine ended up on Kevin Costner's television screen, and he rang me up and invited me to fly first-class to Hollywood and be in his movie The Postman."
"Joss Whedon writes beautiful drama. His sensitivity and his sense of drama and scenes are pretty exceptional. There's no one else writing like him, really, in sci-fi and TV. That's not to say there are no astonishing writers on TV. I was nervous about coming to America and playing an English person who speaks very English when all the writers are American, because it's a very particular thing to imitate, and if it's badly imitated, it sounds painfully contorted and silly. And he writes very well for English people. It was Joss Whedon who persuaded me."
"The drama school was in Oxford - and it's funny to think of it, but in those days when I started out the University was nearly all male. And they certainly weren't mixed."
"At best, the relationship between drama critic and playwright is a pretty twiggy affair. When I'm asked whom I write for, after the obligatory, I write only for myself, I realize that I have an imaginary circle of peers - writers and respected or savvy theatre folk, some dramatic writers and some not, some living, some long gone. . . . Often a writer is aware as he works that a certain critic is going to hate this one. . . . You don't let what a critic might say worry you or alter your work; it might even add a spark to the gleeful process of creation."
"Jenny Simpson loses her shoe in the women's fifteen hundred, with a lap and a half to go, destroying her chances to repeat as world champion, and she gives the most gracious interview afterward about how she's had a wonderful career already. Great for Jenny Simpson. Bad for the sport! We need drama!"
"JACK That is nonsense. If I marry a charming girl like Gwendolen, and she is the only girl I ever saw in my life that I would marry, I certainly won't want to know Bunbury. ALGERNON Then your wife will. You don't seem to realize, that in married life three is company and two is none. JACK That, my dear young friend, is the theory that the corrupt French Drama has been propounding for the last fifty years. ALGERNON Yes; and that the happy English home has proved in half the time."
"The only link between Literature and the Drama left to us in England at the present moment is the bill of the play."
"With comedy, you have to do it right. In a drama, there's a lot of different ways to succeed in a moment. But comedy comes from reality. You can't try to be funny."
"All those [events in history] were such dramas as we see now, only with different actors."
"Having written Camp David as a drama, I could see the drama maybe a little more clearly when I wrote the book."
"I thought acting was all about natural instinct but I've realised, through working with so many talented actors on 'Wild Swans' and 'Run,' that I can see the training. That's why I am back at drama school."
"It would be very hard to write a serious drama and say some of these things. You can be much more abstract and allusive with horror, and it's very forgiving to the author. You don't necessarily have to take an absolutely positive position. You can just write whatever."
"A lot of people who do drama say comedy is the hardest thing, but, not wanting to sound like a bighead, comedy is easy for me, as I've always been fairly funny."
"Only in the problem play is there any real drama, because drama is no mere setting up of the camera to nature: it is the presentation in parable of the conflict between Man's will and his environment: in a word, of problem."
"A third variety of drama ... begins as tragedy with scraps of fun in it ... and ends in comedy without mirth in it, the place of mirth being taken by a more or less bitter and critical irony."
"There are characters which are continually creating collisions and nodes for themselves in dramas which nobody is prepared to act with them. Their susceptibilities will clash against objects that remain innocently quiet."
"When we are young we think our troubles a mighty business - that the world is spread out expressly as a stage for the particular drama of our lives and that we have a right to rant and foam at the mouth if we are crossed. I have done enough of that in my time."