"Clint Eastwood is a very soft-spoken, humble guy, actually, which helped put somebody like me at ease, who had never worked with somebody as huge as that. I'm sure that's not always the case with legendary people."
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Gary Cole quotes (page 2 of 3)
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"It was really executed well, from the art direction to the wardrobe to everyone else. And I have to say, two really exceptional directors who did three each. Roxann [Dawson] did the first three and Jeremy [Webb] did the second three. And I think they really were very meticulous in getting the right tone because it is both. It isn't dour and it isn't grim, but it's not a romp either. It's truthful and it has room for both of those things."
"I look at it scene-by-scene. Whether it's a historical character or not, whatever, on the page is one thing and delving into the history or somebody is one thing, but making something work for an audience in front of a camera is another exercise and you bring whatever authenticity you can to it."
"But for me, you also have to be conscious of what is going to play. And that includes playing with. Sometimes it's just a vibe. It's what's going to make this scene work. And sometimes there may be something that restricts you that has to do with something that maybe is historically accurate. And then you have to weigh that decision and give up something for a scene to work."
"You don't really have time to do other than what's written. It's very rigid. Shows have a certain rhythm that nobody wants disturbed. So a lot of that doesn't take place on television, at least the television I was doing at the time when I first started."
"I like the fact that this kind of family has been seen in a movie a million times: teenage kids, the family is a bit strained and they don't have enough money, but in the background the guy used to be a Gene Simmons type."
"I don't think anyone sets out to do something bad, it's just that it's very difficult."
"You make the choice. You look at each scene and you make sure that this is not a person deceiving people."
"A lot of actors in my age bracket look at being still standing as pretty good."
"If someone comes up to me, 90 percent of the time it's about Office Space."
"You can go out in a good movie and look bad as well."
"Then, at some point, you get identified with certain things."
"I think it had something to do with my love of music, especially rock music."
"Part of you wants to look over at the people watching and say, "Not bad, huh? Me and Clint Eastwood." But you have to get past that and just be an actor."
"To be in a movie directed by Wolfgang Petersen, and a movie that had a large budget... I got a taste of what really good filmmaking could be."
"I was initially a leading man, but only on television."
"Improv is not something I had a lot of experience with, because for a long time, my only experience in front of a camera was all television, which is pretty rigid script-wise, except for the occasional scene where you toss in an ad-lib just to elongate something."
"I messed around in high school, but I pretty much put it away until I did a television show in San Francisco."
"When you make a movie, it's up to so many things and so many people."
"I still like to listen to the people that I came of age on."