Girl quotes
10.5K quotes on this topic — from poets, philosophers, and thinkers across history.
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"All is summed up in the prayer which a young female human is said to have uttered recently: "O God, make me a normal twentieth-century girl!" Thanks to our labors, this will mean increasingly: "Make me a minx, a moron, and a parasite."
"This is where men, even the trustiest, fail us. Their heart is never so wholly given to any matter but that some trifle of a meal, or a drink, or a sleep, or a joke, or a girl, may come in between them and it, and then (even if you are a queen) you'll get no more good out of them until they've had their way."
"And what about you? You must be some kind of beardless dwarf?...You mean to say, that you're a daughter of Eve?...Y-yes, but, you are in fact... human?"
"What we've said to the girls is: 'If you guys ever decide that you're going to get a tattoo, then mommy and me will get the exact same tattoo, in the same place.' And we'll go on YouTube and show it off as a family tattoo."
"Across the globe there are girls who will one day lead nations, if only we afford them the chance to choose their own destinies."
"Nobody's cooler than my two girls. They just seem to take whatever comes with, you know - happiness and - steadiness. And they're loving school. They're making friends... and - they've already joined some clubs. And Sasha, you know - I think maybe to endear - myself to her, she - she decided she wanted to join a basketball team. So - what more could I want?"
"We had to get out of Chicago so quick. Election night happens, suddenly I'm talking to Ben Bernanke and Hank Paulson and trying to figure out whether the world's going to fly apart, and Michelle is trying to figure out where the girls are going to go to school. And we pack up and leave and basically our house in Chicago just became like a time capsule. My desk in my home office still had stacks of articles and bills and stuff from 2008."
"I used to go into pubs and people would want to pick a fight with me. I would hear a group of girls say: 'Oh look, there's Pat Cash.' And then one of them would come up to me and say, 'You think you're so good,' and throw a drink in my face. That kind of reaction from people was a bit of a shock initially, and you don't ever really get used to it."
"I was always a tomboy as a kid. I always had boyfriends. I was just a regular girl growing up in the late '50s and early '60s, but I was never really attracted to what the girls were attracted to: makeup, my appearance, homemaking."
"I'm very comfortable with being a female now but when I was a little kid I only wanted to be a boy. I didn't want to be a girl. I didn't feel like a man inside... being a boy was just cooler."
"Much has been said about Robert, and more will be added. Young men will adopt his gait. Young girls will wear white dresses and mourn his curls. He will be condemned and adored. His excesses damned or romanticized. In the end, truth will be found in his work, the corporeal body of the artist. It will not fall away. Man cannot judge it. For art sings of God, and ultimately belongs to him."
"In the '50s you had to wear pink ribbons if you were a girl, and you were supposed to become a hairdresser or a secretary. I couldn't stomach it. Later on, when I fell in love with my husband and had children, that's when my mother's earthiness or sense of femaleness kicked in."
"I was so involved in my boy-rhythms that I never came to grips with the fact that I was a girl. I was twelve years old when my mother took me inside and said, "You can't be outside wrestling without a T-shirt on." It was a trauma."
"I was like one of the boys in school who flap their legs frantically under the desk. I always had this weird feeling between my legs and I had no idea what it was. I didn't know girls masturbated. I never touched myself or anything."
"I never had any dates. I never really had any boyfriends. I was the girl who did the guys' homework. I was really crazy about guys but I was always like one of the boys. The guys I always fell in love with were completely inaccessible."
"I don't care whether they're men or women, that's bullshit. A good writer can get into any gender, can get into any mouth. When I write I may be a Brando creep, or a girl laying on the floor, or a Japanese tourist, or a slob like Richard Speck. You have to be a chameleon when you're writing."
"That whole thing about masturbating. Most girls, I guess nobody has to tell them, they just figure it out. I had to be told. Some girl actually had to show me a hairbrush and demonstrate exactly what to do. I just never figured that stuff out naturally."
"Then I read Little Women, and of course, like a lot of really young girls, I was very taken with Jo - Jo being the writer and the misfit."
"I know from an early age that I'm very comfortable in front of people. When I was a young girl, I'd love giving book reports."
"Mari remembered what she had read in the young girl's eyes the moment she had come into the refectory: fear. Fear. Veronika might feel insecurity, shyness, shame, constraint, but why fear? That was only justifiable when confronted by a real threat: ferocious animals, armed attackers, earthquakes, but not a group of people gathered together in a refectory. But human beings are like that,' she thought. 'We've replaced nearly all our emotions with fear."
