"What’s the impulse behind art? It’s saying in whatever language is the language of your work, “If I could move you as much as it moved me … if I can move anyone a tenth as much as that moved me, if I can spark the same sense of mystery and awe and surprise as that sparked in me, well that’s why I do what I do.”"
About Greil Marcus
Greil Marcus — Life and Legacy
Greil Marcus is a prominent American music journalist and cultural critic, best known for his insightful explorations of music's role in shaping cultural identity. His work, particularly in 'Mystery Train,' examines how music reflects the complexities of American life, emphasizing the interplay between history and art. Marcus's perspective is rooted in the belief that music is not just entertainment but a profound means of understanding human experience. He famously stated, 'the music is a way of knowing,' highlighting how songs can reveal deeper truths about society and individual identity. Through his analysis, Marcus challenges conventional narratives, asserting that the past is always present in our cultural expressions. His exploration of artists as societal commentators illustrates how music can provoke thought and inspire change. By connecting the dots between historical context and musical expression, he invites readers to reconsider the significance of songs in their lives. Today, Marcus's insights remain relevant as they encourage a deeper appreciation for the emotional and intellectual power of music, making his quotes and ideas resonate with audiences seeking to understand the world through the lens of art.
Quote collection
Greil Marcus quotes (page 1 of 2)
33 quotes — follow a thought to its full quote page.
"Words that in their everyday surrealism have no parallel in contemporary writing... Music that mines the deep veins of fatalism in the Appalachian voice"
"What always attracted me to [Bob] Dylan, and what has sustained me as a Dylan listener, or has always continued to surprise me, is his voice, the way he sings, the way he wraps his voice around certain words, the way he backs off from melodic moments, the way he moves forward to grab something in a song that, were anybody else performing it, they would have no idea it was even there."
"We make the oldest stories new when we succeed, and we are trapped by the old stories when we fail"
"Along with a lot of other things, becoming a Bob Dylan fan made me a writer. I was never interested in figuring out what the songs meant. I was interested in figuring out my response to them, and other people's responses. I wanted to get closer to the music than I could by listening to it - I wanted to get inside of it, behind it, and writing about it through it, inside of it, behind it, was my way of doing that."
"The Sixties are most generously described as a time when people took part - when they stepped out of themselves and acted in public, as people who didn't know what would happen next, but who were sure that acts of true risk and fear would produce something different from what they had been raised to take for granted."
"We fight our way through the massed and leveled collective safe taste of the Top 40, just looking for a little something we can call our own. But when we find it and jam the radio to hear it again it isn't just ours -- it is a link to thousands of others who are sharing it with us. As a matter of a single song this might mean very little; as culture, as a way of life, you can't beat it."
"I am a critic who is pulled toward history. But Bob Dylan himself is a great historian. He is an historian who acts out history. So it always has a personal stamp. It always has a particular timbre. It always has a particular howl, or a moan, in that voice."
"No failure in America, whether of love or money, is ever simple; it is always a kind of betrayal, of a mass of shadowy, shared hopes."
"Patriotism in America, as I understand it, is a matter of suffering, when the country fails to live up to its promises, or actively betrays them."
"I want another idea, another project, but you can't make them up. They show up."
"Listening is like running down a mountain on a switchback trail, the sound of surprise generating its own momentum. There’s a punk glee inside the bluegrass craft–and a punk vehemence inside the bluegrass smile."
"Elvis' early music has drama because as he sang he was escaping limits."
"It is a sure sign that a culture has reached a dead end when it is no longer intrigued by its myths."
"It may be that the most interesting American struggle is the struggle to set oneself free from the limits one is born to, and then to learn something of the value of those limits"
"Every youth movement presents itself as a loan to the future, and tries to call in its lien in advance, but when there is no future all loans are canceled."
"I never could understand - it was impossible for me to get my head around - what the furor was, what the sense of betrayal and anger and rage was about Bob Dylan's beginning to perform with a band, to play rock-and-roll, to get on the radio."
"As I write, Johnny Rotten's first moments in "Anarchy in the U.K." - a rolling earthquake of a laugh, a buried shout, then hoary words somehow stripped of all claptrap and set down in the city streets - I AM AN ANTICHRIST - Remain as powerful as anything I know. Listening to the record today - listening to the way Johnny Rotten tears at his lines, and then hurls the pieces at the world; recalling the all-consuming smile he produced as he sang - my back stiffens; I pull away even as my scalp begins to sweat."
"Rock 'n' Roll is a combination of good ideas dried up by fads, terrible junk, hideous failings in taste and judgment, gullibility and manipulation, moments of unbelievable clarity and invention, pleasure, fun, vulgarity, excess, novelty and utter enervation."
"Punk to me was a form of free speech. It was a moment when suddenly all kinds of strange voices that no reasonable person could ever have expected to hear in public were being heard all over the place."