Henry James

Author

Henry James was a prominent American-British author known for his psychological depth and exploration of human relationships in works like 'The Turn of the Screw.'

Born
April 15, 1843
Died
February 28, 1916
Quotes
251
Rank
#3308

Quote collection

Henry James quotes (page 12 of 13)

251 quotes — follow a thought to its full quote page.

Henry James Author
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"To say that she had a book is to say that her solitude did not press upon her; for her love of knowledge had a fertilizing quality and her imagination was strong. There was at this time, however, a want of lightness in her situation, which the arrival of an unexpected visitor did much to dispel."

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"Art is a point of view, and a genius way of looking at things."

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"The practice of "reviewing"... in general has nothing in common with the art of criticism."

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"She took refuge on the firm ground of fiction, through which indeed there curled the blue river of truth."

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"If the artist is necessarily sensitive, does that sensitiveness form in its essence a state constantly liable to shade off into the morbid? Does this liability, moreover, increase in proportion as the effort is great and the ambition intense?"

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"A solitary maple on a woodside flames in single scarlet, recalls nothing so much as the daughter of a noble house dressed for a fancy ball, with the whole family gathered around to admire her before she goes."

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"He valued life and literature equally for the light they threw upon each other; to his mind one implied the other; he was unable to conceive of them apart."

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"No, no—there are depths, depths! The more I go over it, the more I see in it, and the more I see in it, the more I fear. I don’t know what I don’t see—what I don’t fear!"

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"The effect, if not the prime office, of criticism is to make our absorption and our enjoyment of the things that feed the mind as aware of itself as possible, since that awareness quickens the mental demand, which thus in turn wanders further and further for pasture. This action on the part of the mind practically amounts to a reaching out for the reasons of its interest, as only by its ascertaining them can the interest grow more various. This is the very education of our imaginative life."

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"[Thomas Henry] Huxley is a very genial, comfortable being-yet with none of the noisy and windy geniality of some folks here, whom you find with their backs turned when you are responding to the remarks that they have made you."

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"To live only to suffer—only to feel the injury of life repeated and enlarged—it seemed to her she was too valuable, too capable, for that. Then she wondered if it were vain and stupid to think so well of herself. When had it even been a guarantee to be valuable? Wasn't all history full of the destruction of precious things? Wasn't it much more probable that if one were fine one would suffer?"

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"Which of you with taking thought can add to his stature one cubit?"

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"No themes are so human as those that reflect for us, out of the confusion of life, the close connection of bliss and bale, of the things that help with the things that hurt, so dangling before us forever that bright hard medal, of so strange an alloy, one face of which is somebody's right and ease and the other somebody's pain and wrong."

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"The advantage, the luxury, as well as the torment and responsibility of the novelist, is that there is no limit to what he may attempt as an executant - no limit to his possible experiments, efforts, discoveries, successes."

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"Really, universally, relations stop nowhere, and the exquisite problem of the artist is eternally but to draw, by a geometry of his own, the circle within which they shall happily appear to do so."

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"People can be in general pretty well trusted, of course--with the clock of their freedom ticking as loud as it seems to do here--to keep an eye on the fleeting hour."

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"The image of the presence, whatever it was, waiting there for him to go -this image had not yet been so concrete for his nerves as when he stopped short of the point at which certainty would have come to him. For, with all his resolution, or more exactly with all his dread, he did stop short - he hung back from really seeing. The risk was too great and his fear too definite: it took at this moment an awful specific form."

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