"I finally had to go to the American Civil Liberties Union here in northern California to get my reply published to what I considered to be a hatchet job done by Stanley Crouch."
About Ishmael Reed
Ishmael Reed — Life and Legacy
Ishmael Reed is a prominent American author, poet, and essayist recognized for his incisive commentary on culture and identity. His work, particularly 'Mumbo Jumbo', challenges conventional narratives and explores the complexities of African American experiences. Reed's philosophy emphasizes the importance of cultural identity in shaping individual and collective resistance against systemic oppression. He famously stated, 'The past is a foreign country,' highlighting the often distorted perceptions of history that influence our present. This perspective encourages readers to critically engage with their heritage and resist dominant cultural narratives. Reed's exploration of 'neo-HooDoo' reflects his belief in the power of cultural hybridity and spiritual resilience, advocating for a celebration of diverse identities. His quotes resonate today, inspiring readers to embrace their uniqueness and challenge societal norms.
Quote collection
Ishmael Reed quotes (page 1 of 5)
87 quotes — follow a thought to its full quote page.
"During the last decades, films about the black experience have been produced, directed, and even scripted by white men. Some of them are excellent. But most reflect George Bernard Shaw’s warning that 'if you do not tell your stories others will tell them for you and they will vulgarize and degrade you.'"
"Ethnic life in the United States has become a sort of contest like baseball in which the blacks are always the Chicago Cubs."
"No one says a novel has to be one thing. It can be anything it wants to be, a vaudeville show, the six o’clock news, the mumblings of wild men saddled by demons."
"The treatment of African and African American culture in our education was no different from their treatment in Tarzan movies."
"American cultural institutions seem so bent on preserving the values of "Western civilization," the mythical "Whitetown," that welearn about one another's cultures the same way we learn about sex: in the streets."
"I used to be a discipline problem, which caused me embarrassment until I realized that being a discipline problem in a racist society is sometimes an honor."
"Writing poetry is the hard manual labor of the imagination."
"One of the joys of reading is the ability to plug into the shared wisdom of mankind."
"In the middle of the next century, when the literary establishment will reflect the multicultural makeup of this country and not be dominated by assimiliationists with similar tastes, from similar backgrounds, and of similar pretensions, Langston Hughes will be to the twentieth century what Walt Whitman was to the nineteenth."
"In Haitian mythology there is the figure Ghede, who in West Africa, is Iku, whose role is to show "each man his devil." He's represented by a figure wearing a top hat and smoking a cigar. That's my gig."
"A black boxer's career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination."
"I think I have a pugnacious style. My style is not pretty. I don't use words like "amber" or "opaque.""
"I was roommates with 2 of the guys who were influential in forming the Black Arts philosophy. I called them "goons," and [Amiri] Baraka took offense at that. But if you read his autobiography, the night we went up there for a fundraiser, he talks about how he wished that some violence would happen to us. How do you like Baraka as a gracious host?"
"I consider racism to be a medical problem. Racists need serious medical and psychiatric help, because they are killing themselves and making others suffer along with them."
"I'm sure that you could go back and make a graph showing that all the killings of black males increased in times of economic difficulty. As a matter of fact, a black man was lynched last year."
"That kind of thing happens to black people every day in this country, and they don't receive that kind of sentence he did, which was to go to prison on the weekends; I think he lectured there-an outside lecturer."
"Neo-Hoodoo is the 8 basic dances of 19th century New Orleans' Place Congo- the Calinda the Bamboula the Chacta the Babouille the Conjaille the Juba the Congo and the VooDoo- modernized into the Philly Dog, the Hully Gully, the Funky Chicken, the Popcorn, the Boogaloo and the dance of great American choreographer Buddy Bradley."
"I reached the age of 70, because I have cultivated an association of multicultural intellectuals who are informed and alert to whatever "tricknology" that's laid on us by the powers that be. These include White ethnic intellectuals- people who know their roots- as well as Native American, Asian American, Hispanic and Black intellectuals. These are thirty, forty-year associations with some of the best minds around. Minds that are ignored by the media."
"How does the [New York] Times treat White pathology? They reported an epidemic of heroin addiction in the Philadelphia suburbs. which included emergency admissions and overdoses; these White people in the suburbs were doing heroin like it was going out of style. I counted the words: the article consisted of 200 words. "Heroin Epidemic" in the back section. Out here in California, the typical drug addict is a housewife or suburban White woman."