"Cities, like dreams, are made of desires and fears, even if the thread of their discourse is secret, their rules are absurd, their perspectives deceitful, and everything conceals something else."
About Italo Calvino
Italo Calvino was a prominent Italian writer whose works blend fantasy and reality, making significant contributions to 20th-century literature. His distinctive narrative style is exemplified in 'Invisible Cities,' where he explores the relationship between imagination and reality through poetic prose. Calvino's core thinking revolves around the idea that literature should reflect the complexities of human experience. He famously stated, 'A classic is a book that has never finished saying what it has to say,' illustrating his belief in the enduring relevance of literary works. This perspective challenges readers to engage with texts in a dynamic way, allowing for personal interpretation and discovery. Calvino's exploration of the interplay between the real and the imagined is evident in his quote, 'The invisible cities are not only cities but also states of mind.' This encapsulates his view that our understanding of reality is deeply influenced by our imagination and subjective experiences. By employing metafiction and non-linear narratives, he invites readers to question traditional storytelling norms and consider the fluidity of truth. Today, Calvino's quotes and ideas continue to resonate, encouraging readers to embrace the imaginative aspects of literature while reflecting on their own perceptions of reality. His work remains a vital part of discussions on the nature of storytelling and the role of imagination in shaping our understanding of the world.
Quote collection
145 quotes — follow a thought to its full quote page.
"Cities, like dreams, are made of desires and fears, even if the thread of their discourse is secret, their rules are absurd, their perspectives deceitful, and everything conceals something else."
"A person's life consists of a collection of events, the last of which could also change the meaning of the whole, not because it counts more than the previous ones but because once they are included in a life, events are arranged in an order that is not chronological but, rather, corresponds to an inner architecture."
"A classic is a book that has never finished saying what it has to say."
"The inferno of the living is not something that will be; if there is one, it is what is already here, the inferno where we live every day, that we form by being together. There are two ways to escape suffering it. The first is easy for many: accept the inferno and become such a part of it that you can no longer see it. The second is risky and demands constant vigilance and apprehension: seek and learn to recognize who and what, in the midst of inferno, are not inferno, then make them endure, give them space."
"A human being becomes human not through the casual convergence of certain biological conditions, but through an act of will and love on the part of other people."
"I have tried to remove weight, sometimes from people, sometimes from heavenly bodies, sometimes from cities; above all I have tried to remove weight from the structure of stories and from language."
"Traveling, you realize that differences are lost: each city takes to resembling all cities, places exchange their form, order, distances, a shapeless dust cloud invades the continents."
"The universe is the mirror in which we can contemplate only what we have learned to know in ourselves"
"It is not the voice that commands the story: it is the ear."
"The ideal place for me is the one in which it is most natural to live as a foreigner."
"Perhaps everything lies in knowing what words to speak, what actions to perform, and in what order and rhythm; or else someone's gaze, answer, gesture is enough; it is enough for someone to do something for the sheer pleasure of doing it, and for his pleasure to become the pleasure of others: at that moment, all spaces change, all heights, distances; the city is transfigured, becomes crystalline, transparent as a dragonfly."
"Who are we, who is each one of us, if not a combinatoria of experiences, information, books we have read, things imagined?"
"I will start out this evening with an assertion: fantasy is a place where it rains."
"Memory's images, once they are fixed in words, are erased," Polo said. "Perhaps I am afraid of losing Venice all at once, if I speak of it, or perhaps, speaking of other cities, I have already lost it, little by little."
"The city of cats and the city of men exist one inside the other, but they are not the same city."
"In politics, as in every other sphere of life, there are two important principles for a man of any sense: don't cherish too many illusions, and never stop believing that every little bit helps."
"Yet, even now, ever time (often) that I find that I don't understand something, then instinctively, I'm filled with the hope that perhaps this will be my moment again, perhaps once again I shall understand nothing, I shall grasp that other knowledge, found and lost in an instant."
"The minute you start saying something, 'Ah, how beautiful! We must photograph it!' you are already close to view of the person who thinks that everything that is not photographed is lost, as if it had never existed, and that therefore, in order really to live, you must photograph as much as you can, and to photograph as much as you can you must either live in the most photographable way possible, or else consider photographable every moment of your life. The first course leads to stupidity; the second to madness."
"Myth is the hidden part of every story, the buried part, the region that is still unexplored because there are as yet no words to enable us to get there. Myth is nourished by silence as well as by words."
"The lives of individuals of the human race form a constant plot, in which every attempt to isolate one piece of living that has a meaning separate from the rest-for example, the meeting of two people, which will become decisive for both-must bear in mind that each of the two brings with himself a texture of events, environments, other people, and that from the meeting, in turn, other stories will be derived which will break off from their common story."