"I want each poem to be ambiguous enough that its meaning can shift, depending on the reader's own frame of reference, and depending on the reader's mood. That's why negative capability matters; if the poet stops short of fully controlling each poem's meaning, the reader can make the poem his or her own."
Quote collection
James Arthur quotes (page 2 of 3)
41 quotes — follow a thought to its full quote page.
"It's not realistic to imagine that any poem will last forever. Our species won't last forever! We try to capture and preserve our impressions of reality because it's all going away: everything we think and remember, everything we've ever felt, everyone we love."
"For me, intuitive thinking means associative thinking; intuition causes us to introduce narrative or figurative elements into a poem before we're able to explain why those elements belong."
"I don't think I'd ever get any better as a poet if I didn't push myself, very deliberately, to grow. My best poems surprise me, as they should, but I fight them at every turn, possibly just because I'm stubborn."
"Years ago I used to set my alarm for 4 am, so that I could wake up in the middle of a dream and move directly into writing. I guess my favorite poems contain a mixture of intuitive and analytical thought."
"I often write from memory by walking around and talking to myself. Even when I'm working at a computer I write out loud, so that I can hear the poem's rhythm."
"If art doesn't require an audience, can an intimate conversation be a work of art? Can a thought be a work of art? Maybe. I don't know. These questions are completely hypothetical for me, because I love interacting with audiences. I want my poems to be heard."
"I like poems that immediately claim my attention, instead of taking my attention for granted. At first read, I want to feel compelled to pick up the poem again; I want to be curious about its byways and secret corners."
"And treating poetry as a performing art emphasizes its ephemerality. A printed poem can be endlessly reprinted, photocopied, scanned, uploaded, cut and pasted - but a performance, even if somebody's there with a video camera, is one time only: the audience experiences something that won't exist when the performance is over, and which won't ever be reproduced in exactly the same form. I find that appealing."
"I think that being mindful of your own biases tends to lead you into ambiguity, not clarity, and that following those ambiguities is the only way to approach the universal."
"I do consider myself Canadian, but I feel American, too. I've spent more than fifteen years in each of the two countries, so really I just think of myself as a dual citizen, which is what I am. Thankfully, I've never been forced to choose!"
"When I'm most deeply involved in my writing, sometimes I do dream about poetry, and occasionally I wake up from a dream with a phrase that I like well enough to put it in a poem."
"I believe strongly in what John Keats called negative capability: the trait or practice that allows a poet to remain in uncertainties, mysteries, doubts, without any irritable reaching after fact & reason. For Keats, William Shakespeare exemplified negative capability, and I do think it's extraordinary that for all the thousands of pages Shakespeare left behind, we really don't know much about Shakespeare's own personality or opinions."
"I want to reiterate that my understanding of the poem is not the poem's core, true meaning. Once a poem goes out into the world, the poet is just one more reader."
"It's true, there aren't many explicit references to Canada in my book. And not many explicit references to the U.S., either. I try to fill my poems with enough real, observed detail that the poems create a believable world - but I don't write poems for the sake of telling my own story. My life is not important or interesting enough to warrant that kind of documentary. Instead I try to use my experience as a way of understanding situations that are common to many people. I want readers to project their own lives onto my poems."
"I do own CDs by Neil Young, Leonard Cohen, and Joni Mitchell, but I don't think of them as being major influences on my writing."
"I like poems that affect me emotionally and also provoke me to further, deeper thought. I enjoy challenge, but not, I think, for its own sake."
"In my case, performance is part of the medium. Sometimes I feel that it's my main medium, and that the presentation of my poems on the page is secondary."
"It makes sense to me that the polyglot wouldn't know what language he dreamed in."
"I try not to think in terms of what poems or poets should do. Most of us appreciate a wide diversity in music, in cooking, in movies, but in our own medium, poetry, we often fail to make allowances for tastes and projects other than our own."