"Mir Bahadur Ali is, as we have seen, incapable of evading the most vulgar of art's temptations: that of being a genius."
Quote collection
Jorge Luis Borges quotes (page 16 of 17)
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"Kafka had the sense of guilt. I don't think I have because I don't believe in free will. Because what I have done has been done, well, for me or through me. But I haven't done it really. But I don't believe in free will, I can't feel guilty."
"At the beginning of their careers many writers have a need to overwrite. They choose carefully turned-out phrases; they want to impress their readers with their large vocabularies. By the excesses of their language, these young men and women try to hide their sense of inexperience. With maturity the writer becomes more secure in his ideas. He finds his real tone and develops a simple and effective style."
"I have used the philosophers' ideas for my own private literary purposes, but I don't think that I'm a thinker. I suppose that my thinking has been done for me by Berkeley, by Hume, by Schopenhauer, by Mauthner perhaps."
"The aesthetic event is something as evident, as immediate, as indefinable as love, the taste of fruit, of water. We feel poetry as we feel the closeness of a woman, or as we feel a mountain or a bay. If we feel it immediately, why dilute it with other words, which no doubt will be weaker than our feelings?"
"There is a concept which corrupts and upsets all others. I refer not to Evil, whose limited realm is that of ethics; I refer to the infinite."
"For myth is at the beginning of literature, and also at its end."
"The certainty that everything has already been written annuls us, or renders us phantasmal."
"I don't think there's any essential difference, at least for me, between writing poetry and writing prose."
"You don't have to try to be contemporary. You are already contemporary. What one has in mythology is being evolved all the time. Personally, I think I can do with Greek and Old Norse mythology. For example, I don't think I stand in need of planes or of railways or of cars."
"My friends tell me that I am an intruder, that I don't really write when I attempt poetry. But those of my friends who write in prose say that I'm no writer when I attempt prose. So really I don't know what to do, I'm in a quandary."
"I try to avoid purple patches, fine writing, all that kind of thing... because I think they're a mistake. And then sometimes it comes through and sometimes it doesn't, but that's not up to me. It's up to chance."
"I hardly know what I'm going to write - an article, a story, a poem in free verse - or in some regular form. I only know that when I have the first sentence. And when the first sentence makes a kind of pattern, then I find out the kind of rhythm I'm looking for."
"The steps a man takes from the day of his birth until that of his death trace in time an inconcievable figure. The Divine Mind intuitively grasps that form immediately, as men do a triangle."
"I know that when I think of myself as being utterly worn out, when I think that somehow I have nothing more to write, then something is happening within me. And, in due course, it bubbles up; it comes to the surface, and then I do my best to listen. But there's nothing mystical about all this. I suppose all writers do the same."
"I can’t talk about my books. I have written them and tried to forget them. I have written once, and readers have read me many times, no? I try to think of what I wrote, it’s very unhealthy to think about the past, the case of elegies is very sad, as much as the case of complaints."
"The exercise of letters is sometimes linked to the ambition to construct an absolute book, a book of books that includes the others like a Platonic archetype, an object whose virtues are not diminished by the passage of time."
"Whatever one man does, it is as if all men did it. For that reason, it is not unfair that one disobedience in a garden should contaminate all humanity; for that reason it is not unjust that the crucifixion of a single Jew should be sufficient to save it."
"As the end approaches, there are no longer any images from memory - there are only words."
"The people of Tlön are taught that the act of counting modifies the amount counted, turning indefinites into definites. The fact that several persons counting the same quantity come to the same result is for the psychologists of Tlön an example of the association of ideas or of memorization."