"Everything can be killed except nostalgia for the kingdom, we carry it in the color of our eyes, in every love affair, in everything that deeply torments and unties and tricks."
Novelist, Short Story Writer
Julio Cortazar was an Argentine writer known for his innovative narrative techniques and works like 'Hopscotch,' which challenged conventional storytelling.
Quote collection
56 quotes — follow a thought to its full quote page.
"Everything can be killed except nostalgia for the kingdom, we carry it in the color of our eyes, in every love affair, in everything that deeply torments and unties and tricks."
"Wordplay hides a key to reality that the dictionary tries in vain to lock inside every free word."
"(memory is) A strange echo, which stores its replicas according to some other acoustic than consciousness or expectation."
"The best literature is always a take [in the musical sense]; there is an implicit risk in its execution, a margin of danger that is the pleasure of the flight, of the love, carrying with it a tangible loss but also a total engagement that, on another level, lends the theater its unparalleled imperfection faced with the perfection of film. I don’t want to write anything but takes."
"Once in a while it happens that I vomit up a bunny... it's not reason for one to blush and isolate oneself and to walk around keeping one's mouth shut."
"When one wants to write, one writes. If one is condemned to write, one writes."
"There was a time when I thought a great deal about the axolotls. I went to see them at the aquarium at the Jardin des Plantes and stayed for hours watching them, observing their immobility; their faint movements. Now I am an axolotl."
"Before going back to sleep I imagined (I saw) a plastic universe, changeable, full of wondrous chance, an elastic sky, a sun that suddenly is missing or remains fixed or changes its shape."
"The modern story begun, one might say, with Edgar Allan Poe, which proceeds inexorably, like a machine destined to accomplish its mission with the maximum economy of means."
"I realized that searching was my symbol, the emblem of those who go out at night with nothing in mind, the motives of a destroyer of compasses."
"Happy was she who could believe without seeing, who was at one with the duration and continuity of life."
"We no longer believe because it is absurd: it is absurd because we must believe."
"One of the many ways of contesting level-zero, and one of the best, is to take photographs, an activity in which one should start becoming adept very early in life, teach it to children since it requires discipline, aesthetic education, a good eye and steady fingers."
"The unusual is only found in a very small percentage, except in literary creations, and that is exactly what makes literature."
"Human history is the sad result of each one looking out for himself."
"Now that I think about it, it seems to me that’s what Idiocy is: the ability to be enthusiastic all the time about anything you like, so that a drawing on the wall does not have to be diminished by the memory of the frescoes of Giotto in Padua."
"For me the thing that signals a great story is what we might call its autonomy, the fact that it detaches itself from its author like a soap bubble blown from a clay pipe."
"Memory weaves and traps us at the same time according to a scheme in which we do not participate: we should never speak of our memory, for it is anything but ours; it works on its own terms, it assists us while deceiving us or perhaps deceives up to assist us."
"After the age of 50 we begin to die little by little in the deaths of others."
"La Maga did not know that my kisses were like eyes which began to open up beyond her, and that I went along outside as if I saw a different concept of the world, the dizzy pilot of a black prow which cut the water of time and negated it."