"When I was a child, adults would tell me not to make things up, warning me of what would happen if I did. As far as I can tell so far, it seems to involve lots of foreign travel and not having to get up too early in the morning."
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Neil Gaiman quotes (page 37 of 61)
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"With 'Stardust', I hope what I was doing is giving 30-year-olds and 40-year-olds and 25-year-olds and 60-year-olds a chance to get the same sense of wonder, the same feeling, the same magic, that they got in reading the classic fairy tales as children."
"When you're starting off as a young writer, you look at all the stuff that's gone before and the stuff that's influenced you, and you reach the ladle of your imagination into this bubbling stew pot of all of this stuff, and you pour it out. And that's where you start from."
"When I started out, there were a lot of things I knew I couldn't do, and a lot of things I only found out I couldn't do by going and doing it. And no-one was watching, and nobody cared."
"The great thing about Batman and Superman, in truth, is that they are literally transcendent. They are better than most of the stories they are in."
"One thing that I get from a lot of people with American Gods is people saying that they would love some kind of glossary with a list of all the Gods and who they are, so that they can look them up."
"We are always living in the final days. What have you got? A hundred years or much, much less until the end of your world."
"Never a possession, always the possessor, with skin as pale as smoke, and eyes tawny and sharp as yellow wine: Desire is everything you have ever wanted. Whoever you are. Whatever you are. Everything."
"He..." Richard began. "The marquis. Well, you know, to be honest, he seems a little bit dodgy to me." Door stopped. The steps dead-ended in a rough brick wall. "Mm," she agreed. "He's a little bit dodgy in the same way that rats are a little bit covered in fur."
"EVERY ENDING IS A NEW BEGINNING. YOUR LUCKY NUMBER IS NONE. YOUR LUCKY COLOUR IS DEAD. Motto: LIKE FATHER, LIKE SON."
"Lies and half-truths fall like snow, covering the things that I remember, the things I saw. A landscape, unrecognizable after a snowfall; that is that she has made of my life."
"I wonder if I shall ever see her again, and I realize that I scarcely care. I can feel the sheets beneath me, and the cold air on my chest. I feel fine. I feel absolutely fine. I feel nothing at all."
"He was alone in the darkness once more, but the darkness became brighter and brighter until it was burning like the sun."
"It doesn't matter that you didn't believe in us," said Mr. Ibis. "We believed in you."
"He was walking into Faerie, in search of a fallen star, with no idea how he would find the star, nor how to keep himself safe and whole as he tried. He looked back and fancied that he could see the lights of Wall behind him, wavering and glimmering as if in a heat-haze, but still inviting."
"Soon enough his head would be swimming with tales of derring-do and high adventure, tales of beautiful maidens kissed, of evildoers shot with pistols or fought with swords, of bags of gold, of diamonds as big as the tip of your thumb, of lost cities and of vast mountains, of steam-trains and clipper ships, of pampas, oceans, deserts, tundra."
"Because there are mysteries. Because there are things that people are forbidden to speak about. Because there are things they do not remember."
"If you want to call it that. But it is a very specific sort of magic. There's a magic you take from death. Something leaves the world, something else comes into it."
"I think I've got Fear down, but how do I take it all the way up to Terror?"
"Name the different kinds of people,’ said Miss Lupescu. ‘Now.’ Bod thought for a moment. ‘The living,’ he said. ‘Er. The dead.’ He stopped. Then, ‘... Cats?’ he offered, uncertainly."