Neil Jordan

Director

Neil Jordan is an acclaimed filmmaker and writer known for his exploration of identity and transformation in works like 'The Crying Game.'

Born
February 25, 1951
Quotes
44
Rank
#2106

Quote collection

Neil Jordan quotes (page 2 of 3)

44 quotes — follow a thought to its full quote page.

Neil Jordan Director
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"I don't know why anybody would come to Ireland chasing a dream or even employment - that's an extraordinary thing for a place where traditionally one was unemployed. For 10 years, people were coming from all over the world looking for employment here, kind of an extraordinary phenomenon. That's stopped now."

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Neil Jordan Director
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"And I think I often choose to do something because it's quite different from what I've done before."

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"The most difficult thing is the organization of people and the expression of your intentions. It's very easy to have a picture in your head and to imagine that you've told everybody about what you need."

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"Hollywood always chooses young and beautiful men and throws them into enormous, highly expensive toy-like movies, and I think sometimes it's hard for the maturity of the craft to emerge in that kind of glare."

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"I've had three novels published, and I was working a little bit in theater in Ireland. I wrote one film script just to see what it would turn out like."

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"When you've written a movie, you then get together with a whole lot of people and make it. In many ways, I think it is far nicer to be with people rather than being completely solitary."

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"Well, if you're talking about the current climate, there's a lack of content in American film because I think people are deeply confused about their emotions, and they don't regret certain aspects of their own foreign policy."

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"The Company of Wolves doesn't belong in any category, so it's difficult to prepare an audience for it. It's not a horror film, it's not a fantasy film, it's not a children's film - so what is it?"

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"It's the opposite journey from what I've usually done with films. I find it very easy to go from, say, a lit, pleasurable environment, like what you see outside there, to a very dark place. But the opposite journey, which is what this movie takes, is much more complicated."

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"It's nice to work with Hollywood because there is never any question of resources put at your disposal to make a film as long as it is the right thing to do."

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"I can't do a film if I don't start with the writing."

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"Well, I suppose I'm interested in ways of storytelling and in stories that are about storytelling."

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"The whole Ireland was taken over by greed and materialism. It was extraordinary. The price of every house had skyrocketed. If you were a small farmer and you had two fields outside, if you built 17 bungalows on them all, you become a millionaire, that kind of thing. It was extraordinary to see how rapidly that kind of ethic takes over a whole culture, but that's what's happened to us since the year 1998, about. It's completely extraordinary how little regard the culture had for the landscape. The country is now full of these half-built industrial parks and hotels."

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"I had made a decision, although I hardly knew it yet. It's often that way with decisions, they're made in some hidden part of us and the awareness secretes itself slowly into that conscious part of us that imagines it decides."

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"I just got back from New York, and I realized in New York, it's very difficult to hear a New York accent. It's almost impossible, actually - everybody seems to speak like they're from the Valley or something. When I grew up, you could tell what street in Dublin someone's from by the way they talked."

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"For me now, it's about what you would write and what you wouldn't write, and that's how I select what I am going to do. It can be quite nice being brought a concept by a studio for me to work on."

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"It's hard to know whether certain characters come to life or not, they either come to have their own life or they don't. I've written many things in which the characters just remain inert."

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"Ireland is becoming like everywhere else, but that's the one I grew up in: the one that's hugely illogical. Rather wonderful, in a way. I never found this oppression of religion and that, but I did enjoy growing up in a culture that didn't need to be rational all of the time."

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"The great thing about fairy tales and myths is that they go beyond character. They're not about character. They're about more basic things. They're about basic fears or longings or desires or fantasies, and stuff like that."

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"The truth is that seals look more like dogs. And I'm surrounded by seals because I live by the sea. They're odd bloody creatures. Not fish, they don't have gills, they should have legs, but they don't. They're the weirdest things, you know?"

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