Octavio Paz

Poet, Essayist

Octavio Paz was a Mexican poet and essayist, renowned for his exploration of love, identity, and solitude, particularly in his seminal work 'The Labyrinth of Solitude'.

Born
March 30, 1914
Died
April 19, 1998
Quotes
108
Rank
#217

Quote collection

Octavio Paz quotes (page 2 of 6)

108 quotes — follow a thought to its full quote page.

Octavio Paz Poet, Essayist
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"A glass pitcher, a wicker basket, a tunic of coarse cloth. Their beauty is inseparable from their function. Handicrafts belong to a world existing before the separation of the useful and the beautiful."

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"By suppressing differences and peculiarities, by eliminating different civilizations and cultures, progress weakens life and favors death"

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"With great difficulty advancing by millimeters each year, I carve a road out of the rock. For millenniums my teeth have wasted and my nails broken to get there, to the other side, to the light and the open air. And now that my hands bleed and my teeth tremble, unsure in a cavity cracked by thirst and dust, I pause and contemplate my work. I have spent the second part of my life breaking the stones, drilling the walls, smashing the doors, removing the obstacles I placed between the light and myself in the first part of my life."

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"We pursue modernity in her incessant metamorphoses yet we never manage to trap her. She always escapes: each encounter ends in flight. We embrace her and she disappears immediately: it was just a little air. It is the instant, that bird that is everywhere and nowhere. We want to trap it alive but it flaps its wings and vanishes in the form of a handful of syllables. We are left empty-handed. Then the doors of perception open slightly and the other time appears, the real one we were searching for without knowing it: the present, the presence."

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"Light is time thinking about itself."

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"Each time we try to express ourselves we have to break with ourselves."

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"I don't believe that there are dangerous writers: the danger of certain books is not in the books themselves but in the passions of their readers."

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"Love is an attempt at penetrating another being, but it can only succeed if the surrender is mutual."

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"Beyond happiness or unhappiness, though it is both things, love is intensity; it does not give us eternity but life, that second in which the doors of time and space open just a crack: here is there and now is always."

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"Because two bodies, naked and entwined, leap over time, they are invulnerable, nothing can touch them, they return to the source. There is no you, no I, no tomorrow, no yesterday, no names, the truth of two in a single body, a single soul, oh total being."

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"Poetry, in the past, was the center of our society, but with modernity it has retreated to the outskirts. I think the exile of poetry is also the exile of the best of humankind."

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"Love is born at first sight; the friendship of a frequent and lengthy exchange."

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"It is always difficult to give oneself up; few persons anywhere ever succeed in doing so, and even fewer transcend the possessive stage to know love for what it actually is: a perpetual discovery, and immersion in the waters of reality, an unending re-creation."

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"It may seem paradoxical to say that we have been expelled from the present, but it is a feeling we have all had at some moment. Some of us experienced it first as a condemnation, later transformed into consciousness and action. The search for the present is neither the pursuit of an earthly paradise nor that of a timeless eternity: it is the search for a real reality."

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"Contemporary man has rationalized the myths, but he has not been able to destroy them."

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"I thought that the world was a vast system of signs, a conversation between giant beings. My actions, the cricket's saw, the star's blink, were nothing but pauses and syllables, scattered phrases from that dialogue. What word could it be, of which I was only a syllable? Who speaks the word? To whom is it spoken?"

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"What distinguishes modern art from the art of other ages is criticism."

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"It is not proper to project our feelings onto things or to attribute our own sensations and passions to them. Can it also be improper to see in them a guide, a way of life? To learn the art of remaining motionless amid the agitation of the whirlwind, to learn to remain still and to be as transparent as this fixed light amid the frantic branches this may be a program for life."

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