"Many photographers are consumed with the idea of making beautiful contact sheets. I am far more interested in making the best final print I can."
Photography quotes
Photography
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Photography quotes (page 26 of 153)
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"In 1979, I received a phone call from Ansel Adams asking me if I would be willing to consider coming to work for him. I was teaching photography in Southern California at that point."
"In my mind I needed a symbol of today's technology, and I realized that what I wanted to photograph was the Space Shuttle. And so that's where Places of Power came into being."
"So when I became interested in photography and further being inspired by the work that I saw of Ansel and others, it was a natural extension to go back to these places that I knew as a kid and explore them with my camera."
"To me, photography is 90% a retrospective experience. There's the part of pursuing the image, and exposing the film, but once you make the exposure, you're always looking backwards in time. I like that aspect of photography."
"I took a workshop from him a few months after that. That experience changed my whole approach to photography. At that workshop in Yosemite in 1973 I decided I wanted to try and see if I could pursue this for myself, and I'm still trying."
"When the object that is produced...the photographic image...has the ability to make tears come to your eyes; to inspire you to the point where you have to catch your breath, then nothing else matters."
"The greatest compliment that I know how to pay another photographer is to say, 'I never would have made that photograph myself. I'm sure glad you did.' You hope along the way that maybe, once in a while, you do that for someone else."
"He was a very generous soul and was exceptionally dedicated to the medium of photography."
"Obviously, we can see what was in front of the camera, but if a photograph is honestly made, it's a bit of a self-portrait. I think it's impossible for a photographer who is working honestly to keep this from happening."
"I find the surface of a photograph a thing of beauty in and of itself, and it is this surface that makes a photograph unique relative to other two-dimensional media."
"You can also see sometimes that the best pictures are the ones where you didn't try so hard, where you were just enjoying the process - and you didn't even know why you were making the picture. It felt right. If someone asked, 'Why are you making this picture?' you probably couldn't describe it very well - and that's why it needs to be a photograph."
"I make photographs and still make photographs of the natural environment. It's a love because that was part of my life before I was involved in photography."
"My work is very eclectic. I write books that range from writing fiction, writing fable where I am very directly trying to imagine alternate worlds, to writing about [Buckminster] Fuller who was the ultimate world man creating all sorts of alternate worlds and believing that they were imminent to my own work of - for instance, a project that I've been working on for some year and a half, two years now that continues to evolve has been what I call Deep Time Photography."
"I think of myself as being an ethical man, but I don't try to teach ethics. I have no message. I know little about contemporary life. I don't read a newspaper. I dislike politics and politicians. I belong to no party whatever. My private life is a private life. I try to avoid photography and publicity."
"I have always felt that I have observed life in a different way to others... Music has always been one creative outlet for me, but now I'm happy to add another one too, that being photography"
"I found that I wanted to be best friends with almost all the women I interviewed because they had been through something. They were closing in on the circle of their journey and they had a kind of wisdom that comes from their long life."
"My whole artistic life has been devoted to battling myself and my ability to externalize my deepest emotions. As I have gotten older, the work has become more direct, perhaps reflecting the fact that for the first time in my life I feel really free. I have been fascinated with wings all my life. I have had an obsession with transcendence, the need to push forward and metaphorically fly."
"My early self-portraits appeared effortlessly and seemed like equivalents for my deeper emotions. Many critics remarked that the images had an almost other-worldly haunting presence. For me, they were simply my own reality at that point in my life. What I was trying to reveal was my inner soul in all its fragile complexity. Without knowing it, I was trying to peel back the layers that shroud and bind us all as we struggle to reveal our own authentic selves."
"Michaelangelo said the mirror is our greatest teacher. My use of mirrors in my work helps me uncover psychic layers. Often, the face is distorted in the mirror so it is much more than a simple reflection. Sometimes something surprising emerges - some darkness or secret appears without us knowing why or giving it permission."