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George Bernard Shaw Playwright, Critic
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"I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other."

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George Bernard Shaw Playwright, Critic
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"You don't expect me to know what to say about a play when I don't know who the author is, do you? . . . If it's by a good author, it's a good play, naturally. That stands to reason."

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George Bernard Shaw Playwright, Critic
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"I do not want actors and actresses to understand my plays. That is not necessary. If they will only pronounce the correct sounds I can guarantee the results."

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George Bernard Shaw Playwright, Critic
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"In my dreams is a country where the State is the Church and the Church the people: three in one and one in three. It is a commonwealth in which work is play and play is life: three in one and one in three. It is a temple in which the priest is the worshiper and the worshiper the worshipped: three in one and one in three. It is a godhead in which all life is human and all humanity divine: three in one and one in three."

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George Bernard Shaw Playwright, Critic
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"To a professional critic (I have been one myself) theatre-going is the curse of Adam. The play is the evil he is paid to endure in the sweat of his brow; and the sooner it is over, the better."

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George Bernard Shaw Playwright, Critic
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"The fact is that the intrinsic worth of the book, play or whatever the author is trying to sell is the least, last factor in the the whole transaction."

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George Bernard Shaw Playwright, Critic
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"Instead of Otello being an Italian opera written in the style of Shakespeare, Othello is a play written by Shakespeare in the style of Italian opera."

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George Bernard Shaw Playwright, Critic
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"When you want to put something into your part that is not in the play, you must ask the author-or some other author-to lead up to the interpolation for you. Never forget that the effect of a line may depend not on its delivery, but on something said earlier in the play, either by somebody else or by yourself, and that if you change it, it may be necessary to change the whole first act as well."

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George Carlin Comedian, Actor
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"I'll tell you a little secret about the Blues: it's not enough to know which notes to play, you have to know why they need to be played."

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George Carlin Comedian, Actor
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"Most of the note-taking happens while I'm watching television. It's a broad window on the world, and a lot of things are already established in my mind as things I say, things that I'm interested in, things that are fodder for my [stand-up] machine. And when I see something that relates to one of them, I know it instantly and if it's a further exaggeration and a further addition, or an exception - if it plays into furthering my purpose, I jot it down."

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George Eliot Novelist, Poet, Journalist
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"Life is like our game at whist ... I don't enjoy the game much, but I like to play my cards well, and see what will be the end of it."

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Nicolas Cage Actor, Producer
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"The only reason why I tend to pass on a movie is either I don't think I'm right for the material and can't play it honestly, or because of time constraints with personal things in my life."

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James D. Watson Molecular Biologist, Geneticist
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"If you succeed with your first dream, it helps. You know, people trust you, possibly, for the second one. They give you a chance to play out your second one."

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George Harrison Musician, Singer-songwriter
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"If there's a God, I want to see Him. It's pointless to believe in something without proof, and Krishna consciousness and meditation are methods where you can actually obtain God perception. In that way you can see, hear and play with God. Perhaps this may sound weird, but God is really there next to you."

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George Harrison Musician, Singer-songwriter
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"You can actually see God, and Hear Him, play with Him. It might sound crazy, but He is actually there."

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