"I've always wanted to play more comic parts."
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"I just do what I feel and what I like. I don't necessarily censor or feel an obligation to have a particular moral standard - I'm willing to wallow in the mud, if necessary. It appears as if there seems to be a consistency in result, but maybe that has as much to do with the roles I choose as it does with how I play them. I do what pleases me."
"You don't have to kill somebody to play a murderer. You have to read the script and interpret the character."
"[Fences] is just a great play to bring to the screen."
"I called Scott Rudin, and I told him I wanted to do the play [Fences], so that's how the ball got rolling. I never said, "I'll do the play, and the next year I'll do the film, I just wanted to do the play.""
"We rehearsed for two weeks [in "Fences"], and we taped out the whole house in the front, and the rooms, and we stood it up like a play. We tried to get off book and gave people small props."
"Skeptics squat by the road like guardians of truth, letting no one pass who doesn't come up to scratch. They never realize that they can see only what their paradigm tells them to look for. If you judge a person only by how well he plays pool, Mozart won't pass scrutiny, but the fault is in your lens."
"The power of a positive self-image plays a vital role in experiencing perfect health."
"I love, love, love music - have since I was a kid, and I'm still really into music - and I became a singer because I was too stupid to learn how to play an instrument, I guess."
"Femininity, yes, effectively there is more in The First Man, not only in terms of women but stylistically, in its elements, the notes he wrote. You can see a real love story in it, a childhood love story, [Albert] Camus' first. Meursault [protagonist of The Outsider] and Marie were never up to much really. There is Dora in The Just and others in his plays, but they aren't so well known."
"I only play projects with weird interpretations of presidents."
"I don't see how being a faster runner, or a better mathematician makes you 'deserve' access to a better life, or more influence on policy, in the absence of a social decision to play that game in the way it's proposed to be organised for some set of benefits."
"The Internet empowers individuals to play a more active role in the political process, as Obama's campaign has manifested."
"Everything changes with age. The parts change with age, your feelings about them change, roles that I would've wanted to play 10 years ago, I don't want to play now."
"The interesting thing about this is I don't know what my vision [ in Salome the play and Salomaybe] is yet about. I'm sensing something and I'm going along with it. It reminds me of a painting, the way Jackson Pollack painted - Jackson Pollack, the great, great artist."
"We're charlatans in a way, we're magic people. Part of the behind the scenes stuff is to loosen you up, to make you feel that you are experiencing this. This is my style, I did it in Looking for Richard, too. And I figure, if I can weave it into the actual play and get the audience interested, like the robes going up and down, they'll pay attention long enough to consume it."
"I personally think if you're given four months instead of four weeks on a play, with the people who want to work that way, the play will invariably be different and stronger, and much more fulfilling and richer on all counts. There's no doubt in my mind about it."
"I wouldn't be interested in [nowadays] television simply because I think it goes too fast. Except if something was maybe a play on television or some great television script."
"Before 'Grey's Anatomy,' I was doing musicals, plays, commercials, you name it."
"We must meet reverses boldly, and not suffer them to frighten us, my dear. We must learn to act the play out. We must live misfortune down, Trot!"