"If we surrendered to earth’s intelligence we could rise up rooted, like trees. Instead we entangle ourselves in knots of our own making and struggle, lonely and confused. So like children, we begin again... to fall, patiently to trust our heaviness. Even a bird has to do that before he can fly. (from the poem "How Sure Gravity's Law")"
Rainer Maria Rilke
Poet, Novelist
Rainer Maria Rilke was a German poet known for his profound exploration of love, existence, and the human condition, particularly in works like 'The Duino Elegies.'
- Born
- September 4, 1875
- Died
- December 29, 1926
- Quotes
- 487
- Rank
- #71
Quote collection
Rainer Maria Rilke quotes (page 24 of 25)
487 quotes — follow a thought to its full quote page.
"To write rhythmic prose one must go deep into oneself and find the anonymous and multiple rhythm of the blood. Prose needs to be built like a cathedral. There, one is truly without a name, without ambition, without help; on scaffoldings, alone with one's consciousness."
"We must assume our existence as broadly as we in any way can; everything, even the unheard - of, must be possible in it. This is at bottom the only courage that is demanded of us: to have courage for the most strange, the most inexplicable."
"Why don't you conceive of God as an ally who is coming, who has been approaching since time began, the one who will someday arrive, the fruit of a tree whose leaves we are? Why not project his birth into the future, and live your life as an excruciating and lyrical moment in the history of a prodigious pregnancy?"
"No experience has been too unimportant, and the smallest event unfolds like a fate, and fate itself is like a wonderful, wide fabric in which every thread is guided by an infinitely tender hand and laid alongside another thread and is held and supported by a hundred others"
"Ask yourself in the most silent hour of your night: must I write [create]? Dig into yourself for a deep answer."
"My art is representational by choice....if the art of painting is to survive, it must describe and express people, their lives and times. It must communicate."
"You are nearing the land that is life; you will recognize it by its seriousness."
"How can I keep my soul in me, so that it doesn't touch your soul? How can I raise it high enough, past you, to other things?"
"What do the contours of your body mean, laid out like the lines on a hand, so that I no longer see them except as fate?"
"Interior of the hand. Sole that has come to walk only on feelings. That faces upward and in its mirror receives heavenly roads, which travel along themselves. That has learned to walk upon water when it scoops, that walks upon wells, transfiguring every path. That steps into other hands, changes those that are like it into a landscape: wanders and arrives within them, fills them with arrival."
"Do not, do not, do not books for ever hammer at people like perpetual bells? When, between two books, silent sky appears: be glad"
"They all have tired mouths and bright seamless souls. And a longing (as for sin) sometimes haunts their dreams. They are almost all alike; in God's gardens they keep still, like many, many intervals in his might and melody. Only when they spread their wings are they wakers of a wind: as if God with his broad sculptor- hands leafed through the pages in the dark book of the beginning."
"It wasn't his, it wasn't my fault, we both had nothing except patience, but Death has none. I saw him come (how meanly!) and I watched him as he took and took: none of it I could claim as mine."
"O how all things are far removed and long have passed away. I do believe the star, whose light my face reflects, is dead and has been so for many thousand years. I had a vision of a passing boat and heard some voices saying disquieting things. I heard a clock strike in some distant house... but in which house?... I long to quiet my anxious heart and stand beneath the sky's immensity. I long to pray... And one of all the stars must still exist. I do believe that I would know which one alone endured, and which like a white city stands at the ray's end shining in the heavens."
"And we, spectators always, everywhere, looking at, never out of, everything! It fills us. We arrange it. It collapses. We re-arrange it, and collapse ourselves. Who's turned us round like this, so that we always, do what we may, retain the attitude of someone who's departing? Just as he, on the last hill, that shows him all his valley for the last time, will turn and stop and linger, we live our lives, for ever taking leave."
"Rose, oh pure contradiction, joy of being No-one's sleep under so many lids."
"Look, lovers: almost separately they come towards us through the flowery grass and slowly; parting's so far from thought of, they indulge the extravagance of walking unembraced."
"Sex is difficult, yes. But they are difficult things with which we have been charged...If you only recognize this and manage out of yourself, out of your own nature and ways, out of your own experience and childhood and strength to achieve a relation to sex wholly your own (not influenced by convention and custom) then you need no longer be afraid of losing yourself and becoming unworthy of your best possession."
"It is not inertia alone that is responsible for human relationships repeating themselves from case to case, indescribably monotonous and unrenewed: it is shyness before any sort of new, unforeseeable experience with which one does not think oneself able to cope. But only someone who is ready for everything, who excludes nothing, not even the most enigmatical will live the relation to another as something alive."