Ray Bradbury

Author

Ray Bradbury was an American author known for his imaginative works, particularly 'Fahrenheit 451', which critiques censorship and celebrates creativity.

Born
August 22, 1920
Died
June 5, 2012
Quotes
762
Rank
#539

Quote collection

Ray Bradbury quotes (page 13 of 39)

762 quotes — follow a thought to its full quote page.

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"I've never been in charge of my stories, they've always been in charge of me. As each new one has called to me, ordering me to give it voice and form and life, I've followed the advice I've shared with other writers over the years: jump off the cliff and build your wings on the way down."

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"We have our Arts so we won't die of Truth."

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"When rivers flooded, when fire fell from the sky, what a fine place the library was, the many rooms, the books. With luck, no one found you. How could they!--when you were off to Tanganyika in '98, Cairo in 1812, Florence in 1492!?"

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"...if you are writing without zest, without gusto, without love, without fun, you are only half a writer. It means you are so busy keeping one eye on the commercial market, or one ear peeled for the avant-garde coterie, that you are not being yourself. You don't even know yourself. For the first thing a writer should be is-- excited. He should be a thing of fevers and enthusiasms."

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"There is more than one way to burn a book. And the world is full of people running about with lit matches. Every minority, be it Baptist/Unitarian, Irish/Italian/Octogenarian/Zen Buddhist, Zionist/Seventh-day Adventist, Women's Lib/Republican, Mattachine/FourSquareGospel feels it has the will, the right, the duty to douse the kerosene, light the fuse. Every dimwit editor who sees himself as the source of all dreary blanc-mange plain porridge unleavened literature, licks his guillotine and eyes the neck of any author who dares to speak above a whisper or write above a nursery rhyme."

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"A reason I became a writer was to escape the hopelessness and despair of the real world and enter the world of hope I could create with my imagination."

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"So while our art cannot, as we wish it could, save us from wars, privation, envy, greed, old age, or death, it can revitalize us amidst it all."

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"You don't pay any attention to anything anyone else says, no opinions. The important thing is to explode with a story, to emotionalize a story, not to think it. You start thinking - the story's going to die on its feet."

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"Mysteries abound where most we seek for answers."

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"The human race likes to give itself airs. One good volcano can produce more greenhouse gases in a year than the human race has in its entire history."

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"A stranger is shot in the street, you hardly move to help. But if, half an hour before, you spent just ten minutes with the fellow and knew a little about him and his family, you might just jump in front of his killer and try to stop it. Really knowing is good. Not knowing, or refusing to know is bad, or amoral, at least. You can’t act if you don’t know."

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"The history of science fiction started in the caves 20,000 years ago. The ideas on the walls of the cave were problems to be solved. It's problem solving. Primitive scientific knowledge, primitive dreams, primitive blueprinting: to solve problems."

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"Screenplays are not writing. They're a fake form of writing. It's a lot of dialogue and very little atmosphere. Very little description. Very little character work. It's very dangerous. You'll never learn to write."

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"Life shoould be touched, not strangled. You've got to relax, let it happen at times, and at other move forward with it."

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"Have you ever watched the jet cars race on the boulevard?...I sometimes think drivers don’t know what grass is, or flowers, because they never see them slowly...If you showed a driver a green blur, Oh yes! He'd say, that’s grass! A pink blur! That’s a rose garden! White blurs are houses. Brown blurs are cows."

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"No," said a voice, "the only thing wrong on a night like that is that there is a world and you must come back to it."

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"The women in my life have all been librarians, English teachers, or booksellers. If they couldn't speak pidgin Tolstoy, articulate Henry James, or give me directions to Usher and Ox, it was no go. I have always longed for education, and pillow talk's the best."

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"What is The Subconscious to every other man, in its creative aspect becomes, for writers, The Muse."

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