Samuel Fuller

Film Director

Samuel Fuller was an influential American filmmaker known for his bold storytelling and exploration of complex themes in films like 'Shock Corridor.'

Born
February 4, 1912
Died
October 30, 1997
Quotes
26
Rank
#1719

About Samuel Fuller

Samuel Fuller — Life and Legacy

Samuel Fuller was a pioneering American filmmaker whose work is characterized by its raw emotional intensity and exploration of complex social issues. Known for films such as 'Shock Corridor' and 'The Naked Kiss,' Fuller challenged conventional narratives and delved into the darker aspects of human nature. His quotes often reflect his belief in the power of storytelling to reveal uncomfortable truths. For instance, when he stated, 'The truth is always a little bit of a lie,' he captured the essence of his cinematic philosophy, suggesting that reality is often layered and multifaceted. Fuller's unique perspective on conflict, shaped by his experiences as a soldier in World War II, allowed him to portray the struggles of individuals against societal norms. His work continues to resonate, as it confronts the complexities of identity and morality, making his insights into truth and conflict profoundly relevant today.

Quote collection

Samuel Fuller quotes (page 1 of 2)

26 quotes — follow a thought to its full quote page.

Samuel Fuller Film Director
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"When you're at the end of your rope, all you have to do is make one foot move out in front of the other. Just take the next step. That's all there is to it"

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Samuel Fuller Film Director
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"A film is like a battleground. It's love, hate, action, violence, death—In one word, emotions."

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Samuel Fuller Film Director
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"If a story doesn't give you a hard-on in the first couple of scenes, throw it in the goddamned garbage."

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Samuel Fuller Film Director
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"You know how you smoke out a sniper? You send a guy out in the open, and you see if he gets shot. They thought that one up at West Point"

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Samuel Fuller Film Director
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"Ninety-five per cent of films are born of frustration, of self despair, of ambition for survival, for money, for fattening bank accounts. Five per cent, maybe less, are made because a man has an idea, an idea which he must express."

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Samuel Fuller Film Director
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"We'll build a democracy here, even if it's with Nazi bricks."

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Samuel Fuller Film Director
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"We got a right to climb out of the sewer and live like other people. We could start from scratch. Make every minute count twice for the one we lost."

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Samuel Fuller Film Director
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"We don't murder, we kill.... You don't murder animals, you kill them."

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Samuel Fuller Film Director
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"Movement should be a counter, whether in action scenes or dialogue or whatever. It counters where your eye is going. This style thing, for me it's all fitted to the action, to the script, to the characters."

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Samuel Fuller Film Director
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"Film is a battleground. Love, hate, violence, action, death...In a word, emotion."

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Samuel Fuller Film Director
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"Being a hooker does not mean being evil. The same with a pick-pocket, or even a thief. You do what you do out of necessity."

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Samuel Fuller Film Director
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"Extending the language of film sometimes starts with just trying to show one true thing."

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Samuel Fuller Film Director
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"I don't care if it's a mystery story, a Western, or the story of Julius Caesar. To me it's the emotion, the lies, the double-cross, whether it's Brutus doing it to Caesar or Bob Stack doing it to Robert Ryan that defines what kind of drama it is."

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Samuel Fuller Film Director
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"If your first scene doesn't give you a hard on, throw it out!"

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Samuel Fuller Film Director
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"We have too many intellectuals who are afraid to use the pistol of common sense"

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Samuel Fuller Film Director
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"When I was making these damned pictures, I never knew about film noir. If you had asked me about it then, I probably would have pointed to something like Bill Wellman's The Ox Bow Incident, the best Western I ever saw and very much in the style of film noir I don't care if it's a mystery story, a Western, or the story of Julius Caesar. To me it's the emotion, the lies, the double-cross that defines what kind of drama it is."

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