Susan Sontag

Essayist, Critic, Activist

Susan Sontag was an influential American writer and thinker, known for her critical essays on art, culture, and politics.

Born
January 16, 1933
Died
September 28, 2004
Quotes
540
Rank
#561

Quote collection

Susan Sontag quotes (page 20 of 27)

540 quotes — follow a thought to its full quote page.

Susan Sontag Essayist, Critic, Activist
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"In photographing dwarfs, you don't get majesty & beauty. You get dwarfs."

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"Today is such a time, when the project of interpretation is largely reactionary, stifling. Like the fumes of the automobile and of heavy industry which befoul the urban atmosphere, the effusion of interpretations of art today poisons our sensibilities. In a culture whose already classical dilemma is the hypertrophy of the intellect at the expense of energy and sensual capability, interpretation is the revenge of the intellect upon art."

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"The photographer's intentions do not determine the meaning of a photograph, which will have its own career, blown by the whims and loyalties of the diverse communities that have use for it."

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"Transparence is the highest, most liberating value in art - and in criticism - today. Transparence means experiencing the luminousness of the thing in itself, of things being what they are."

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"Love words, agonize over sentences. And pay attention to the world."

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"I'm not sure at all that literature should be studied on the university level. ... Why should people study books? Isn't it rather silly to study Pride and Prejudice. Either you get it or you don't."

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"The truth of history crowds out the truth of fiction - as if one were obliged to choose between them."

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"Photographs objectify: they turn an event or a person into something that can be possessed."

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"The two ideas are antithetical. Insofar as photography is (or should be) about the world, the photographer counts for little, but insofar as it is the instrument of intrepid, questioning subjectivity, the photographer is all."

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"Again: there is nothing inherently superior about resistance. All our claims for the righteousness of resistance rest on the rightness of the claim that the resisters are acting in the name of justice. And the justice of the cause does not depend on, and is not enhanced by, the virtue of those who make the assertion. It depends first and last on the truth of a description of a state of affairs that is, truly, unjust and unnecessary."

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"People robbed of their past seem to make the most fervent picture takers, at home and abroad."

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"My own view is that one cannot be religious in general any more than one can speak language in general; at any given moment one speaks French or English or Swahili or Japanese, but not 'language."

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"In every society, the definitions of sanity and madness are arbitrary - are, in the largest sense, political."

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"... liberal intellectualstend to have a classical theory of politics, in which the state has a monopoly of power; hoping thatthose in positions of authority may prove to be enlightened men, wielding power justly, they are natural, if cautious, allies of the "establishment."

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"The ratio of authentic literature to trash in pornography may be somewhat lower than the ratio of novels of genuine literary meritto the entire volume of sub-literary fiction produced for mass taste. But it is probably not lower than, for instance, that of another somewhat shady sub-genre with a few first-rate books to its credit, science fiction."

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"A photograph is both a pseudo-presence and a token of absence. Like a wood fire in a room, photographs-especially those of people, of distant landscapes and faraway cities, of the vanished past-are incitements to reverie. The sense of the unattainable that can be evoked by photographs feeds directly into the erotic feelings of those for whom desirability is enhanced by distance."

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"The particular qualities and intentions of photographs tend to be swallowed up in the generalized pathos of time past."

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"If an irreducible distinction between theatre and cinema does exist, it may be this: Theatre is confined to a logical or continuous use of space. Cinemahas access to an alogical or discontinuous use of space."

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