Umberto Eco

Writer, Philosopher, Literary Critic

Umberto Eco was an Italian novelist and philosopher, renowned for his work 'The Name of the Rose' and his explorations of semiotics and interpretation.

Born
January 5, 1932
Died
February 19, 2016
Quotes
368
Rank
#260

Quote collection

Umberto Eco quotes (page 13 of 19)

368 quotes — follow a thought to its full quote page.

Umberto Eco Writer, Philosopher, Literary Critic
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"Well, Diotallevi and I are planning a reform in higher education. A School of Comparative Irrelevance, where useless or impossibe courses are given. The school's aim is to turn out scholars capable of endlessly increasing the number of unnecessary subjects."

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"Only an unhinged movie survives as a disconnected series of images, of peaks, of visual icebergs. It should display not one central idea but many. It should not reveal a coherent philosophy of composition. It must live on, and because of, its glorious ricketiness."

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"For such is the fate of parody: it must never fear exaggerating. If it strikes home, it will only prefigure something that others will then do without a smile--and without a blush--in steadfast virile seriousness."

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"Beauty has never been absolute and immutable but has taken on different aspects depending on the historical period and the country"

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"We stopped to browse in the cases, and now that William - with his new glasses on his nose - could linger and read the books, at every title he discovered he let out exclamations of happiness, either because he knew the work, or because he had been seeking it for a long time, or finally because he had never heard it mentioned and was highly excited and titillated. In short, for him every book was like a fabulous animal that he was meeting in a strange land."

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"They say that a cat, if it falls from a window and hits its nose, can lose its sense of smell and then, because cats live by their ability to smell, it can no longer recognize things. I'm a cat that hit its nose."

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"What we honor as prudence in our elders is simply panic in action."

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"A secret is powerful when it is empty. People often mention the "Masonic secret." What on earth is the Masonic secret? No one can tell. As long as it remains empty it can be filled up with every possible notion, and it has power."

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"All poets write bad poetry. Bad poets publish them, good poets burn them."

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"The faith a movement proclaims doesn't count: what counts is the hope it offers. All heresies are the banner of a reality, an exclusion. Scratch the heresy and you will find the leper. Every battle against heresy wants only this: to keep the leper as he is."

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"The poets did not win; the philosophers surrendered."

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"I have to admit that I only read War and Peace when I was 40. But I knew the basics before then."

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"The author may not interpret. But he must tell why and how he wrote his book."

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"Once upon a time there were mass media, and they were wicked, of course, and there was a guilty party. Then there were the virtuous voices that accused the criminals. And Art (ah, what luck!) offered alternatives, for those who were not prisoners to the mass media."

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"The French, the Italians, the Germans, the Spanish and the English have spent centuries killing each other."

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"There must be a connection between the lust for power and impotentia coeundi. I liked Marx, I was sure that he and his Jenny had made love merrily. You can feel it in the easy pace of his prose and in his humor. On the other hand, I remember remarking one day in the corridors of the university that if you screwed Krupskaya all the time, you'd end up writing a lousy book like Materialism and Empiriocriticism."

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"The belief that time is a linear, directed sequence running from A to B is a modern illusion. In fact, it can also go from B to A, the effect producing the cause."

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"For Mallarmé naming an object meant suppressing three-quarters of its poetic pleasure (which consists in the joy of guessing bit by bit - "le suggérer, voilà le rêve!")."

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"But laughter is weakness, corruption, the foolishness of our flesh."

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"Deciding what is being talked about is a kind of interpretive bet."

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