"I'm not a Mexican writer, but I think everything that happens in Mexico affects the Mexican writers I know, in their sense of being human and of being Mexican, even if they don't in any explicit way address these issues in their writing."
Writing quotes
Writing
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Writing quotes (page 349 of 1537)
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"I'm not against anything that anybody might want to try to pull off in fiction. Fiction writing has to, at least, always represent a possibility of absolute freedom."
"I think everything you are, everything that engages you, eventually comes to bear on the novel you write. I think the creative energy in novel writing, obviously, comes from tension. From trying to fuse. From trying to make coherent disparate things that might not at all seem to belong together within a narrative."
"The writing that most interests me isn't about narcos or sicarios or police or whatever. It's about the victims and the survivors, and about the suffering and trauma that so many in Mexico and Central America endure, and that is all around us whether we notice it or not."
"If you write every day, you're going to write a lot of things that aren't terribly good, but you're going to have given things a chance to have their moments of sprouting."
"While I was writing I assumed it would be published under a pseudonym, and that liberated me: what I wrote was exactly what I wanted to read."
"Writing has to do with truth-telling. When you're writing, let's say, an essay for a magazine, you try to tell the truth at every moment. You do your best to quote people accurately and get everything right. Writing a novel is a break from that: freedom. When you're writing a novel, you are in charge; you can beef things up."
"When I first wanted to be a writer, I learned to write prose by reading poetry."
"Many good poets are really essayists who write very short essays."
"Each decision - to kill, to sign a petition, to write a letter, to make a speech, to attack, to lie, to surrender - was made at some point in somebody's day."
"To one who has enjoyed the full life of any scene, of any hour, what thoughts can be recorded about it seem like the commas and semicolons in the paragraph-mere stops."
"A man who means to think and write a great deal must, after six and twenty, learn to read with his fingers."
"Am I missing something because of my lack of education? Being an intellectual - I'm not. So I hire him as a corner man, like a boxer; he watches me and tells me what I do wrong before I go in for the next round. Barry thought he was going to write what became Executioner's Song, and I told him he wasn't going to. And Barry's closest friend was Joan Didion."
"I think when I write movies and plays and books and magazine articles, they're all storytelling, and reality is the common denominator that binds them."
"When I'm writing about complicated subjects, it usually involves a world. It could be the world of Scientology or the world of Al Qaeda, or the world of counter-terrorism.I look for emblematic beasts of burden - what I call "donkeys" - who can carry the reader through this world. They serve a different purpose. Donkeys are not especially interesting or likeable, but they are serviceable. They will take you into this world. The distinction I'm trying to make is: It's not about them. It's about the world."
"I don't want to constantly be writing about terrorism and strife."
"I read a lot of books. Here are the books I'm using for my 9/11 project. [Wright gestures to three six-foot-long shelves of books.] As I read them I highlight certain passages. Then I have an assistant write down each quote on an index card and note where it came from."
"I don't know why I write. The honest answer is that I don't have an answer. I wouldn't die if I couldn't write fiction. Actually keel over and die - it's unlikely. But quite quickly writing has come to feel like the only thing I really know how to do. And I go a bit stir crazy if I don't write more or less every day. But that makes writing sound like a mood-regulator, a way to regulate anxiety or depression, and it doesn't really come down to that."
"I don't speak any languages well enough to make an expert assessment on writing in translation, but since I'm interested in awkwardness in prose, I find I like the way translated texts can sometimes acquire awkwardness in the process of translation. There's a discordance translation can create which I think is sometimes seen as a weakness but which I think can be a really interesting aspect of the text."
"Many novelists say, "I'm not a political novelist" - myself included. That's a standard, even a default position. Whereas that divide between art and politics simply isn't possible in many countries. In Hungary, you couldn't be a fiction writer and then, when asked about politics, put your hands up in the air and say "But I'm not a political novelist." If you're a Chinese novelist, a novelist in a country where censorship is such an issue, how do you claim that politics has nothing to do with your writing? It's in your writing, it's shaping your words."