"My producers and I worked with these consultants and came up with seventy [stories] which we think are exemplary of the larger arc of African-American history between 1513 and 2013. We covered half a millennium, and it's amazing."
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"In a one-hour documentary, you can tell maybe ten stories. That's how the documentary is structured. I wrote to forty of the greatest historians of both African and African-American history, and hired them as consultants. I had them submit what they thought were the indispensable stories, the ones they felt this series absolutely had to include."
"I use African-American, because I teach African Studies as well as African-American Studies, so it's easy, neat and convenient. But sometimes, when you're in a barber shop, somebody'll say, "Did you see what that Negro did?" A lot of people slip in and out of different terms effortlessly, and I don't think the thought police should be on patrol."
"Precisely that, covering 500 years of African-American history in six hours. I've been working on this for seven years. The biggest challenge was deciding which stories to tell."
"I am more of a conservationist, myself. And people have come to me and said, "Wow, you're an African-American conservationist!" And my response is, "No, I'm a conservationist who happens to be black.""
"I am the first African-American chairman of any major conservation organization in history. That's a big step."
"Black Panther is a historic opportunity to be a part of something important and special, particularly at a time when African Americans are affirming their identities while dealing with vilification and dehumanization. The image of a black hero on this scale is just really exciting."
"We all remember that [Donald] Trump was one of the leaders of the so-called birther movement trying to delegitimize the presidency of our first African-American president Barack Obama, which is an outrage."
"Everybody knows this legend in kind of African-American lore. There's always somebody in your neighborhood named Orangejello or Lemonjello. And that's spelled - Orangejello is spelled O-R-A-N-G-E-J-E-L-L-O."
"I'd been taught from an early age that I was in the other category on the standardized tests. You know, I had to go down the checklist - Caucasian, African-American, Latino, Asian-Pacific Islander, and then, you know, at the bottom is other. So, you know, very early on I was taught, in a way, that I was somehow this anomaly."
"I've been very lucky to have a family who has welcomed me and not been hung up on anything racial, almost overlooking the fact that there was a racial difference. But I can honestly say I do feel like I missed out on some lessons of what the African-American experience is like growing up."
"I've always thought of myself as an African-American comedian, African-American man, everything."
"Every pastor I talk to says, and particularly if they're African American they'll say, "I'm not black enough for African Americans. I'm not white enough for the whites. I'm not Hispanic enough.""
"What happens is sometimes these congregations will still have the white style of worship, even though they're mixed, because folks are willing to give up whatever they may have come with. So it's still quite a stretch for African Americans, yeah."
"And different traditions stress different - so then there's that. I talked to an African American who says before she goes into an interracial church, she sits in her car and she listens to gospel music to get her fill, and she goes into an interracial church where they don't do gospel music, and she's ready to accept the other sorts of ways of worshipping. So there's that."
"Once in a while you get people that maybe because of economic reasons, or have a social network, they get attracted. But it's a very tiny percent so that when we look at, you know, who are pastors and who are the head clergy of these congregations, they're overwhelmingly white, just a few African Americans, and those folks are usually called to what were formerly white congregations, or they started interracial church from the get-go."
"I meet almost no one that goes to an African-American church or thinks, "I'm going to do that." Now there are whites in African-American churches. They're interracially married. They're highly committed. Maybe there's a professor or two, or a student."
"It may be changing, but still it's the one place, that total control of an institution, that African Americans have. So sometimes, you know, you'll hear the statement of African Americans saying, "I have to work with whites."
"I won’t react to something just because I’m supposed to, because I’m an African-American."
"That argument doesn’t make any sense to me. So we want to advance as a society and as a culture, but, say, if something happens to an African-American, we immediately come to his defense? Yet you want to talk about how far we’ve progressed as a society? Well, if we’ve progressed as a society, then you don’t jump to somebody’s defense just because they’re African-American. You sit and you listen to the facts just like you would in any other situation, right? So I won’t assert myself."