"It now lately sometimes seemed a black miracle to me that people could actually care deeply about a subject or pursuit, and could go on caring this way for years on end. Could dedicate their entire lives to it. It seemed admirable and at the same time pathetic. We are all dying to give our lives away to something, maybe."
David Foster Wallace
Writer
David Foster Wallace was an influential American writer known for his complex narratives and deep explorations of truth and anxiety, particularly in 'Infinite Jest.'
- Born
- February 21, 1962
- Died
- September 12, 2008
- Quotes
- 345
- Rank
- #423
Quote collection
David Foster Wallace quotes (page 16 of 18)
345 quotes — follow a thought to its full quote page.
"[I]f the writer does his job right, what he basically does is remind the reader of how smart the reader is."
"I felt despair. The word’s overused and banalified now, despair, but it’s a serious word, and I’m using it seriously. For me it denotes a simple admixture — a weird yearning for death combined with a crushing sense of my own smallness and futility that presents as a fear of death. It’s maybe close to what people call dread or angst. But it’s not these things, quite. It’s more like wanting to die in order to escape the unbearable feeling of becoming aware that I’m small and weak and selfish and going without any doubt at all to die. It’s wanting to jump overboard."
"'This thing I feel, I can't name it straight out but it seems important, do you feel it too?' — this sort of direct question is not for the squeamish. For one thing, it's perilously close to 'Do you like me? Please like me,' which you know quite well that 99% of all the interhuman manipulation and bullshit gamesmanship that goes on goes on precisely because the idea of saying this sort of thing straight out is regarded as somehow obscene."
"Please learn the pragmatics of expressing fear: sometimes words that seem to express really invoke. This can be tricky."
"She took a sort of abject pride in her mecilessness toward herself."
"And when he came to, he was flat on his back on the beach in the freezing sand, and it was raining out of a low sky, and the tide was way out."
"My whole life I've been a fraud. I'm not exaggerating. Pretty much all I've ever done all the time is try to create a certain impression of me in other people. Mostly to be liked or admired. It's a little more complicated than that, maybe. But when you come right down to it it's to be liked, loved. Admired, approved of, applauded, whatever. You get the idea."
"She had a brainy girls discomfort about her own beauty and its effects on folks."
"He suddenly felt nothing, or rather Nothing, a pre-tornadic stillness of zero sensation, as if he were the very space he occupied."
"The other half is to dramatize the fact that we still "are" human beings, now. Or can be."
"We're not keen on the idea of the story sharing its valence with the reader. But the reader's own life "outside" the story changes the story."
"A novelist has to know enough about a subject to fool the passenger next to him on an airplane."
"It feels intensely twisted to see reigning industry queen Jenna Jameson chilling out at the Vivid booth in Jordaches and a latex bustier and to know already that she has a tattoo of a sundered valentine with the tagline Heart Breaker on her right buttock and a tiny hairless ole just left of her anus."
"Kafka's evocations are, rather, unconscious and almost sub-archetypal, the little-kid stuff from which myths derive; this is why we tend to call even his weirdest stories nightmarish rather than surreal."
"God, what a ghastly enterprise to be in, though-and what an odd way to achieve success. I'm an exhibitionist who wants to hide, but is unsuccessful at hiding; therefore, somehow I succeed."
"One paradox of professional writing is that books written solely for money and/or acclaim will almost never be good enough to garner either."
"[T]o really try to be informed and literate today is to feel stupid nearly all the time, and to need help."
"When I say or write something, there are actually a whole lot of different things I am communicating. The propositional content (i.e., the verbal information I'm trying to convey) is only one part of it. Another part is stuff about me, the communicator. Everyone knows this. It's a function of the fact there are so many different well-formed ways to say the same basic thing, from e.g. "I was attacked by a bear!" to "Goddamn bear tried to kill me!" to "That ursine juggernaut did essay to sup upon my person!" and so on."
"Molly Notkin often confides on the phone to Joelle van Dyne about the one tormented love of Nokin's life thus far, an erotically circumscribed G.W. Pabst scholar at New York University tortured by the neurotic compulsion that there are only a finite number of erections possible in the world at any one time and that his tumescence means e.g. the detumescence of some perhaps more deserving or tortured Third World sorghum farmer."