"Do what you want to do, and don't worry if it's a little odd or doesn't fit the market."
About Lydia Davis
Lydia Davis — Life and Legacy
Lydia Davis is a prominent American writer celebrated for her distinctive approach to short fiction and essays, often delving into the intricacies of language and perception. Her work, including the acclaimed 'The End of Story,' challenges conventional narrative forms, inviting readers to engage with the subtleties of thought and expression. Davis's writing is characterized by its brevity and precision, reflecting her belief that the essence of a story can be conveyed in just a few words. One of her notable quotes, 'The writer's job is to be a witness,' encapsulates her perspective on the role of the writer as an observer of life, emphasizing the importance of authenticity in storytelling. Through her exploration of language, Davis reveals how our perceptions are shaped and constrained by the words we use, prompting readers to reflect on their own understanding of reality. Today, Lydia Davis's work remains relevant as it resonates with contemporary discussions about communication, identity, and the nature of storytelling. Her ability to distill complex ideas into concise language continues to influence writers and readers alike, making her a significant figure in modern literature.
Quote collection
Lydia Davis quotes (page 1 of 3)
56 quotes — follow a thought to its full quote page.
"You know the pain is part of the whole thing. And it isn’t that you can say afterwards the pleasure was greater than the pain and that’s why you would do it again. That has nothing to do with it. You can’t measure it, because the pain comes after and it lasts longer. So the question really is, Why doesn’t that pain make you say, I won’t do it again? When the pain is so bad that you have to say that, but you don’t."
"Nearly every morning, a certain woman in our community comes running out of her house with her face white and her overcoat flapping wildly. She cries out, "Emergency, emergency," and one of us runs to her and holds her until her fears are calmed. We know she is making it up; nothing is has really happened to her. But we understand, because there is hardly one of us who has no been moved at some time to do just what she has done, and every time, it has taken all our strength, and even the strength of our friends and families, too, to keep us quiet."
"Why don't you like the foods I like?" he asks sometimes. "Why don't you like the foods I make?" I answer."
"The moment when a limit is reached, when there is nothing ahead but darkness: something comes in to help that is not real. Another way all this is like madness: a mad person not helped out of his trouble by anything real begins to trust what is not real because it helps him and he needs it because real things continue not to help him."
"If you think of something, do it. Plenty of people often think, “I’d like to do this, or that."
"Like a tropical storm, I, too, may one day become ‘better organized."
"My stories are sometimes closer to poems or meditations, but often there is at least a little narrative in them."
"After Birth is a fast-talking, opinionated, moody, funny, and slightly desperate account of the attempt to recover from having a baby. It is a romp through dangerous waters, in which passages of hilarity are shadowed by the dark nights of earliest motherhood, those months so tremulous with both new love and the despairing loss of one's identity-to read it is an absorbing, entertaining, and thought-provoking experience."
"There seemed to be three choices: to give up trying to love anyone, to stop being selfish, or to learn to love a person while continuing to be selfish."
"Heart weeps. Head tries to help heart. Head tells heart how it is, again: You will lose the ones you love. They will all go. But even the earth will go, someday. Heart feels better, then. But the words of head do not remain long in the ears of heart. Heart is so new to this. I want them back, says heart. Head is all heart has. Help, head. Help heart."
"Often, the idea that there can be a wide range of translations of one text doesn't occur to people - or that a translation could be bad, very bad, and unfaithful to the original."
"I do see an interest in writing for Twitter. While publishers still do love the novel and people do still like to sink into one, the very quick form is appealing because of the pace of life."
"I'm a fierce editor! I don't edit out things that I began by saying, usually. The editing is on the micro level - a comma here, a word there."
"The translator ... Peculiar outcast, ghost in the world of literature, recreating in another form something already created, creating and not creating, writing words that are his own and not his own, writing a work not original to him, composing with utmost pains and without recognition of his pains or the fact that the composition really is his own."
"Work hard and meticulously. When in trouble, look closely at a text that is a good example of what you're trying to do. And be patient."
"Art is not in some far-off place."
"I often pose questions to myself and want the answers. The questions may be psychological or emotional. Or they may involve botany or [...] physiology. [...] I am very curious about strangers I observe - as in a bus line. I am very attached to finding out answers."
"To observe the world carefully, to write a lot and often, on a schedule if necessary, to use the dictionary a lot, to look up word origins, to analyze closely the work of writers you admire, to read not only contemporaries but writers of the past, to learn at least one foreign language, to live an interesting life outside of writing."
"I think the close work I do as a translator pays off in my writing - I'm always searching for multiple ways to say things."