"[I]n my country, when they would say a man has no sense, they say, such an one has no memory; and when I complain of the defect of mine, they do not believe me, and reprove me, as though I accused myself for a fool: not discerning the difference betwixt memory and understanding, which is to make matters still worse for me. But they do me wrong; for experience, rather, daily shows us, on the contrary, that a strong memory is commonly coupled with infirm judgment."
Memories quotes
Memories
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Memories quotes (page 93 of 307)
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"Experience teaches that a strong memory is generally joined to a weak judgment."
"Anyone who does not feel sufficiently strong in memory should not meddle with lying."
"Some of my best memories are sitting on my dad's lap, cheering on Olga and Nadia, Carl Lewis and others for their brilliance and perfection."
"This is the real and the only reason for friendship: to provide a mirror so the other person can contemplate his image from the past, which, without the eternal blah-blah of memories between pals, would long ago have disappeared."
"I understood that there was no escaping the memories, that I was surround by them. (p.30)"
"In Irena’s head the alcohol plays a double role: it frees her fantasy, encourages her boldness, makes her sensual, and at the same time it dims her memory. She makes love wildly, lasciviously, and at the same time the curtain of oblivion wraps her lewdness in an all-concealing darkness. As if a poet were writing his greatest poem with ink that instantly disappears."
"Remembering our past, carrying it around with us always, may be the necessary requirement for maintaining, as they say, the wholeness of the self. To ensure that the self doesn’t shrink, to see that it holds on to its volume, memories have to be watered like potted flowers, and the watering calls for regular contact with the witnesses of the past, that is to say, with friends. They are our mirror; our memory; we ask nothing of them but that they polish the mirror from time to time so we can look at ourselves in it."
"A good forgettery is a happier possession than a good memory."
". . . What role does historiography play in the way a society and culture "remembers" past events? Does the historian have a moral or civic responsibility to this project of memory that ought to influence the way he or she engages in historical practice? Should moral concerns influence the historian's choice of subject matter, of issues to discuss, of evidence to use?"
"Guilt was a fascinating thing: it seemed not to weaken over time. If anything it grew stronger as the circumstances faded from memory, as the fear and the necessity became abstract. And only her own actions stood out with crystal clarity."
"What memories for mud to have."
"The scene I had just witnessed (a couple making love in the ocean) brought back a lot of memories – not of things I had done but of things I had failed to do, wasted hours and frustrated moments and opportunities forever lost because time had eaten so much of my life and I would never get it back. I envied Yeoman and felt sorry for myself at the same time, because I had seen him in a moment that made all my happiness seem dull."
"I wish I had a talking book that told me how to act and look, a talking book that contained keys to past and present memories"
"Back to him she would never go, but in her lonely life still lived the sweet memory of that happy time when she believed in him and he was all in all to her."
"Lately I've been thinking about the idea that all novels are, at least in some way, about the process of writing a novel - that the construction of the book and the lineage of people constructing novels are always part of the story the author is telling. I think the equivalent for memoir should be that all memoirs are, in some way, about the process of memory. Memoirs are made out of a confusing, flawed act of creation."
"Always get rid of theory private object in this way: assume that it constantly changes, but that you do not notice the change because your memory constantly deceives you."
"We all have an ongoing narrative inside our heads, the narrative that is spoken aloud if a friend asks a question. That narrative feels deeply natural to me. We also hang on to scraps of dialogue. Our memories don’t usually serve us up whole scenes complete with dialogue. So I suppose I’m saying that I like to work from what a character is likely to remember, from a more interior place."